Sonia Wieder-Atherton
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About Sonia Wieder-Atherton
Sonia Wieder-Atherton is a French-American cellist. She is a former pupil of Russian maestri Mstislav Rostropovitch and Natalia Shakhovskaia who has developed her own tone and style. Having studied in Paris and in Moscow, she combines both French and Russian styles of cello playing. At the Paris Conservatory, where she studied with Maurice Gendron, she was awarded first prizes for both cello and chamber music and is a prize-winner of the Rostropovitch International Cello Competition.
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Top Tracks
1
Kol Nidre
2
Question
3
Kaddish
4
Conversation
5
Psaume
6
Nigun
7
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
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Prière
9
Chanson
10
Psalmodie
11
Danse
12
Black Swann
13
Incertitude
14
Apres Un Reve
15
Chemah
16
Cello Suite No. 3 in C Major, BWV 1009: I. Prélude
17
Chant hassidique
18
Cello Suite No. 1 in G Major, BWV 1007: V. Menuett I & VI. Menuett II
19
Black is the Colour of my True Love's Hair
20
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
21
Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude
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Cello Suite No. 1 in G Major, BWV 1007: III. Courante
23
Elégie
24
Après un rêve
25
Méditation hébraïque
26
Cello Suite No. 2 in D Minor, BWV 1008: V. Menuette I & VI. Menuett II
27
Little Girl Blue
28
Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
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Cello Suite No. 1 in G Major, BWV 1007: VII. Gigue
30
Fodder on my Wings
31
Chant populaire N°4 (Chanson hébraïque)
32
Vespro della Beata Vergine, SV 206: VII. Duo Seraphim clamabant (Excerpt)
33
Images
34
Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude
35
Nigun (Baal Shem)
36
Vespro della Beata Vergine, SV 206: VII. Duo Seraphim clamabant (Extrait)
37
Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
38
II. Allemande
39
Prière (Jewish Life N°1)
40
New York Quartet
41
IV. Sarabande
42
III. Courante
43
Hey, Buddy Bolden
44
Duo Seraphim ( Extrait De Vespro Della Beata Virgine )
45
Supplication (Jewish Life N°2)
46
I Wish I Knew How it Would Feel to be Free
47
Jewish Song (Jewish Life N°3)
48
Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
49
Cello suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
50
Première leçon de ténèbres à une voix: Incipit lamentio (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton)
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