Ophélie Gaillard

Negracha (Arr. for Cello & Ensemble)

I. allegro assai

Tarde em itapuã

Elégie Op. 24

Viaje de bodas (Arr. for Cello and Bandoneon)

I. Allegro

María de Buenos Aires: Yo soy María (Arr. for Voice, Cello & Ensemble)

Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": V. Los Manolos (Passa calle). A

Vayamos al diablo (Arr. for Cello & Ensemble)

Prelude

Après un rêve

II. Adagio

Fuga y misterio (Arr. for Cello & Ensemble)

She's Sweetest When She's Naked (Solo Version)

Siete canciones populares españolas: IV. jota

III. allegro assai

Allemande

III. Allegro

Piccolo Cello Sonata in D Major, Wq. 137 : I. Adagio, ma non tanto

II. Allegro

Courante

Concerto Grosso No. 5 in D Minor (After Domenico Scarlatti): I. Largo

II. largo

Las Cuatro Estaciones Porteñas (Arr. for Cello & Ensemble): II. Otoño porteño

Suite n. 1 in G major, BWV 1007: I. Prelude

Sicilienne Op. 78

Gigue

Goyescas: Intermezzo

Milonga for Three (Arr. for Piano): I.

Cello Sonata in A Minor, RV 43: I. Largo

Milonga for Three (Arr. for Piano): II.

Sarabande

Siete canciones populares españolas: V. nana

Milonga sin palabras (Arr. for Cello & Ensemble)

Puneña No. 2, Op. 45: I. Harawi

III. Allegretto

Die Zauberflöte, K. 620: Ach, ich fühl's (Arr. for Cello Orchestra)

Dos Gardenias

Nieblas del riachuelo

Trattado de Glosas: Recercadas ottava y quarta sobre 'La Folia'

Oblivion

III. Largo

Concerto Grosso No. 12 in D Minor, H.143 'La Folia' (After Corelli Violin Sonata, Op. 5 No. 12)

Serse, HWV 40, Act 3: Sinfonia

Alvorada

I. Adagio

Grand tango: tempo di tango

Don Quixote, Op. 35: Variation VII. Don Quixote's ride through the air

Puneña No. 2, Op. 45: II. Wayno Karnavalito

II. andante