
Rosita Quiroga (1896-1984) was the first female tango singer, a direct heir of the primitive early payadores (itinerant singing improvisers). Hers is a unique case in the history of woman in tango. No one expressed like she did, she sang with the same cadence and the same "air" as she had when speaking; she was the unique female model who represented the outskirts people features. She interpreted naturally, without premeditation, and strummed chords in her guitar in the way Juan de Dios Filiberto
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Julián
Apologia Tanguera
De Mi Barrio
Puente Alsina
la musa mistonga
Maula
Que Vachache
Fumando Espero
Carro Viejo
Oime Negro
Viejo Coche
Pato
Beba
Sentencia
Traviesa
Gran Señor
Mocosita
Sollozos
Mano a Mano
Sentimiento Malevo
A Media Luz
La Eterna Herida
Ladrillo
Sonsa
Mandria
Mal Amigo
Por Mi Viejita
Calandria
Gorda
Madrecita Yo Me Muero
Tus Besos Fueron Mios
Negro
Mala Suerte
Ausencia
hacelo por la vieja
El Malevo
Oiga Madre
Cuando Llegue El Otoño
Como Luces De Bengala
Fuiste
Apología Tanguera
Trago Amargo
Son Grupos
Vete
De Mi Sentir
Vieja guitarra
Carta Brava
El Ciruja
Quejas Del Suburbio
Sarandi
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