
For many people, she was the most remarkable female tango singer or at least the most representative and eclectic. Considering her popularity, she made few recordings and what is worse, her repertoire -of an irregular quality- combined tango, milonga and "porteño" waltz with several country or exotic genres, reflecting her continental projection. She reached the top of fame in the 30s and 40s. Her art was basically addressed to the large portion of urban middle class through an emotional yet refined style.
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Pena Mulata
El Morito
Milonga Sentimental
Milonga Negra
Cantando
Celosa
Inocencia
El morito (The Morito) [1929]
Negra Maria
Carnaval De Mi Barrio
Muchacho
A media luz
Uno
Milonga Triste
Verdemar
Noche de Ronda
Otra Noche
Triste Domingo
Ave Sin Rumbo
Volver
Amargura
Sera Una Noche
La Florista
Esquinas porteñas
Yira yira
Milonguita
Caricias
Mi vieja viola
La cumparsita
Maula
Parece Mentira
Calla Corazon
Abandono
Silenciosamente
Estampa rea
Incertidumbre
Cuentas Viejas
Negrito
Será Una Noche
Tu llegada
Motivo sentimental
Dímelo al oído
Dandy
Tu Nombre
Mañana Si Dios Quiere
La Pollita
Calla corazón
Claudinette
Audacia
Yo te bendigo
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