About Randall Smith
Randall Smith began composing initially with experimental film, working with filmmakers living in his hometown of Toronto. In 1987 he composed his first solo tape piece, Fleeting Wheels of Changes. From this point until 1995 Randall Smith composed purely electroacoustic music. In 1992 he began to study the violin under Eugene Kash. Unknown to him at the time the real direction that this would lead to would be the writing for instruments and tape (mixed electroacoustic music).
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Top Tracks
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collision
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Continental rift
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The Unmoved Centre
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Southern Soldier
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Episode the Firste: A Deconstructive Tribute
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The Unmoved Center
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La volière
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InsideOut
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The black museum
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Counterblast
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The face of the waters
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Ruptures
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Elastic Rebound
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Convergence
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Liquid Fragments 1
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Fleeting Wheels Of Changes [ex.]
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Fleeting Wheels Of Changes (Excerpt)
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The Unmoved Centre (1997)
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Alligator Bite
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Boogie 35 Petrucci, JP 2C, Mark V, 25&35 to Mark VII
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The Black Museum (1993)
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Ruptures (1991)
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Counterblast (1990)
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Liquid Fragments
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La Voliere (1994)
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The Face Of The Waters (1988)
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Podcast 1: Introduction
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Episode Four: International Open Mic Night
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Liquid Fragments 1 (1996)
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Turning 18
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Building Boogie 34 Part 2 History of Mark Amps
32
Episode the Seconde: Unjust Attribution
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Franceschini: Sonata in D: I. Grave
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Collision (1996)
35
Insideout (1999)
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Elastic Rebound (1995)
37
Continental Rift (1995)
38
Randall Smith - The Unmoved Center
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Phaune radio
40
Podcast #2: Active Reading, Active Writing
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La VoliËre
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Episode the Thirteenthe: Of Tours and Auteurs
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La voliere
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Counter-Blast
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Pieces caracteristiques en forme de suite: V. A la Parisienne
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Cinqu Danses Exotiques: Mambo
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Cinqu Danses Exotiques: Samba lenta
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Franceschini: Sonata in D: II. Allegro
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Franceschini: Sonata in D: III. Adagio
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Franceschini: Sonata in D: IV. Allegro
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