
Composer Milton Babbitt's influence on contemporary music is inestimable. His innovative use of the human voice, his infusions of electronic tape sounds into live performances, his serial compositional techniques and pioneering work in synthesized sound, all broke new ground in the music world. His compositions, with their twelve-tone structures, complex mathematical tonal combinations, and synthetic sounds, offered up with Babbitt's cerebral explanations, evince serious purpose, energy, and wit.
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Philomel
Beaten Paths
Homily
None But The Lonely Flute
Part I
Soli E Duettini
Part II
Semi-Simple Variations
Three Compositions
Play It Again, Sam
Whirled Series
Melismata
Philomel (edit)
Philomel For Soprano, Recorded Soprano, And Synthesized Sound
Post-Partitions
Composition For Guitar
Partitions
Occasional Variations
Duet
Ensembles for Synthesizer
Composition For Synthesizer
Reflections
Tableaux
String Quartet No. 6
String Quartet No. 2
Phonemena for soprano and piano
Duet (1956)
Canonical Form
Three Compositions (1947-48)
Phonemena For Soprano And Tape
Semi-Simple Variations (1956)
Lagniappe
Philomel (2nd movement)
Partitions (1957)
Post-Partitions (1966)
Tableaux (1973)
String Quartet no.6
Around the Horn: Part I
15 - Philomel (edit)
Philomel [edit]
Philomel (edit), 1964
Canonical Form (1983)
Quatrains
composition for four instruments
String Quartet no.2
Phonemena
Accompanied Recitative
Lagniappe (1985)
Reflections (1974) For Piano And Synthesized Tape
Manifold Music
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