
Mauricio Kagel (born in Buenos Aires, December 24, 1931, died in Cologne, September 18, 2008) was an Argentine composer who has lived in Germany for most of his career. He was most famous for his interest in developing the theatrical side of musical performance. Many of his pieces give specific theatrical instructions to the performers, such as to adopt certain facial expressions while playing, to make their stage entrances in a particular way, to physically interact with other performers and so on.
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Pan
Antithèse
Szenario
II. Grave
String Quartet I
string quartet III andant
String Quartet III Andantino
String Quartet III Allegretto
String Quartet II
String Quartet III Allegro
tactil
I. Allegro
exotica
VI. Allegretto
III. Andantino
IV. Molto tranquillo
Acustica, Side 1
Quirinus' Liebeskuss
Rrrrrrr...: Ragtime-Waltz
Antithese
Mm 51
Liturgien
V. Andantino
Rrrrrrr...: Rosalie
Heterophonie I
Ludwig van: I
Unguis incarnatus est
Musik für Renaissance-Instrumente
Rrrrrrr...: Rondena (Piano à quatre mains)
antithèse (1962)
Transición I
Der Schall, Side 1
Acustica, Side 2
Rrrrrrr …: I. Rrrrrrr...
Improvisation ajoutée
Der Eid des Hippokrates
Ludwig van: IV
Ludwig van: II
Acustica, Side 3
Rrrrrrr...: Rossignols enrhumés (Piano préparé)
Music for Renaissance Instruments
Acustica, first part
The 8 Pieces of the Wind Rose: I. Osten
Old/New (Study for Solo Trumpet)
Nah Und Fern
Ludwig van: III
Rrrrrrr...: Râga
Zwei Akte
Transición II
Acustica, Side 4
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