Mateo Romero
About Mateo Romero
Mateo Romero (c. 1575 –1647) was a Belgian-born Spanish composer of Baroque music and master of the royal chapel. Romero was born as Mathieu Rosmarin in Liège, Belgium, and, following the early death of his father was, like many children from the then Spanish Netherlands, recruited as a child to serve as choir boy at the Madrid court. Between 1586 and 1593 he was taught in Spain by his countrymen George de la Hèle and Philippe Rogier. He took the name Romero in 1594.
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Top Tracks
¡Ay, Qué Me Muero de Zelos, Letrilla a 3 (II)
Fatigada navecilla. Villancico – à 4
Tercera Copa
Bullicioso y claro arroyuelo (Babbling and Crystal Stream)
Romerico Florido, Folía a 2
Ricos de galas y flores (Riches of Finery and Flowers)
Missa Pro Defunctis
Entre dos mansos arroyos (Between 2 Quiet Streams)
A quien contare mis quejas?
Como suele el blanco zisne
Romerico florido
Soberana Maria
Las voces del fuego
Entre Dos Mansos Arroyos, Romance a 4
¡Ay, Qué Me Muero de Zelos, Letrilla a 3 (I)
Hermosas y enjojadas
A la Dulce Risa del Alva, Folía a 4
En Belen estan mis amores
Coraçon, ¿Donde Estuvistes?, Cancíon a 3
Las eridas de Medoro
Libera Me, Domine
Folía a 2 “Romerico Florido”
A la Dulce Risa
Officium Defuctorum. Ad Matutinum
Digamos
mercho / 150 / Chorrito pa las animas - Version Cumbia
Laudate Dominum omnes gentes, à 12 (In loco Deo Gratias)
Romero: Folia: A la dulce risa del alva
Aquella Hermosa Aldeana, Romance a 4
Ay, qué me muero de zelos
Folia: A la dulce risa del alva
Dixit Dominus (Psalmus) a 16
Volarás, Pensamiento Mío, Cancíon a 3
Entre Dos Mansos Arroyos
En este inbierno frío, Cancíon a 3
Pescador, Que das al Mar, a 4
Fatigada navecilla
En una Playa Amena, Cancíon a 3
Fatigada Navecilla, Romance a 4
¡Ay, Qué Muero de Zelos!
Caiase de un Espino, Romance a 4
Magnificat a 8, primo tono
Intrada para Ministrelles
Imposible
A la dulce risa del alva (Ah the Sweet Smile of the Dawn)
Soberana María
Laudate Dominium omnes
Libera Me Domine
Bullicioso y claro arroyuelo
Ay, que me muero de zelos: 2a parte
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