
Juan de Anchieta (1462 – 1523) was a Spanish composer of the Renaissance. Born into a leading Basque family, his mother was a great-aunt of Ignatius of Loyola, founder of the Society of Jesus.[1] In 1489 he was appointed to the chapel of Queen Isabella and in 1495 became maestro di capilla to Prince Don Juan, returning to the Queen's service after the Prince's death in 1497, and in 1504 to that of the new Queen, Joanna the Mad. He held various church benefices
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Ave Sanctissima Maria
Con amores, mi madre
Credo
Introitus: Salve Sancta Parens
Con amores mi madre
Gloria in excelsis Deo
Ave sanctissima Maria: Ave Sanctissima Maria
Salve Regina (Antiphon)
Dos ánades, madre
Con amores, la mi madre (arr. Bob Chilcott)
Con amores, la mia madre
Virgo et mater
Libera me, Domine
Musica, quid defles?
Missa quarti toni: Agnus Dei
Con Amores, La Mi Madre
Missa Rex virginum: Kyrie
Agnus Dei
O Bone Jesu
In passione Domini
Kyrie eleison - Christie eleision - Kyrie elesion
Missa quarti toni: Kyrie eleison - Christie eleision - Kyrie elesion
Missa quarti toni: Credo
Donsella madre de Dios
Sanctus - Benedictus
Con Amores, La Mía Madre
Missa quarti toni: Gloria in excelsis Deo
Congratulamini mihi
Domine Jesu Christe
Dixit Dominus
Domine, non Secundum Peccata Nostra
Conditor Alme Siderum
Con Amores La Mi Madre
Beatus Vir
Missa Rex Virginum: Gloria
Confitebor tibi, Domine
Missa quarti toni: Kyrie
Missa Rex Virginum: Credo
Con amores, la mía madre (Arr. Chilcott)
Magnificat Sexti Toni
Domine Jesu Christe Qui Hora in Diei Ultima
Missa quarti toni: Sanctus - Benedictus
Salve regina: Salve Regina (Antiphon)
Missa de Nuestra Señora: I. Kyrie
Missa quarti toni: Gloria
Missa quarti toni: Sanctus
Doncella, Madre de Dios. Cancionero Municipal de Palacio, 404
Missa L'Homme Arme: Kyrie
Con amores, la mi madre (Arr. Arne Dørumsgaard)
Dos anades, madre
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