Marino Formenti
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About Marino Formenti
Italian-born pianist and conductor Marino Formenti has established himself as one of the most interesting performers of his generation, both by virtue of his interpretations of modern and contemporary music and through his creative, daring programming. He has been celebrated by audiences and the press alike for his “exciting playing” and “dreamy concentration," as the Los Angeles Times wrote in the wake of a LACMA concert series: "a Glenn Gould for the 21.
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Top Tracks
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6 Encores for Piano: No. 3, Wasserklavier
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Night Studies: Study 1.1.1 (Nachts)
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6 Encores for Piano (1965): No. 3, Wasserklavier
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Klang, Third Hour "Natürliche Dauern", Op. 83: No. 5, —
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Cloches d'adieu, et un sourire
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Night Studies: Study 2.1.1 (Baba)
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Night Studies: Study 3.1.1
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Île de Feu 1
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Loyauté, que point ne delay
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Night Studies: Study 1.2.1
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Night Studies: Study 1.2.2
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Night Studies: Study 3.2.1
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Night Studies: Study 4.1.1
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Night Studies: Study 2.2.1
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Hommage à Stockhausen
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Night Studies: Study 4.2.1
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Night Studies: Study 5.1.1 (Ives)
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Night Studies: Study 1.1.2
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Slowakische Erinnerungen aus der Kindheit, No. 20
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Night Studies: Study 6.1.1
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Night Studies: Study 1.1.3
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Night Studies: Study 4.1.2
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Night Studies: Study 3.1.2
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Night Studies: Study 3.2.2
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Tres douce dame
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Night Studies: Study 4.1.3
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Night Studies: Study 6.1.2
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Night Studies: Study 7.1.1
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Ippolito gioca
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Night Studies: Study 1.2.3
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Hommage à Farkas Ferenc - scraps of a colinda melody-faintly recollected
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Night Studies: Study 5.2.1 (Thoreau)
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Night Studies: Study 8.1.1 (Florian)
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Resignazione, S. 187a
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Klavierstücke No. 2
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Night Studies: Study 1.2.4
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Night Studies: Study 4.2.2
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Night Studies: Study 1.1.4
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Night Studies: Study 4.2.3
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...humble regard sur Olivier Messiaen...
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Night Studies: Study 1.2.5 (The Whore)
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Night Studies: Study 2.2.2 (Karelien)
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Mazurka Op. 41, No. 2
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Night Studies: Study 2.1.2
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Round O Z.T 684
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Hommage à Farkas Ferenc - Liebe im Herzen, bittere Schmerzen
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5 Ungarische Volkslieder, S. 245: No. 5, Erdó, erdó, sürü erdó árnayában
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Hommage à Pierre Boulez
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Ungarische Melodie D. 817
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Sonata e-moll K. 394
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