
Lea Bertucci is an American composer, performer and sound designer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her instrumental practice with woodwind instruments, she often incorporates multi-channel speaker arrays, electroacoustic feedback, extended instrumental technique and tape collage. In recent years, her projects have expended toward site-responsive and site-specific sonic investigations of architecture. Deeply experimental, her work is unafraid to subvert musical expectation.
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Patterns For Alto
On Opposite Sides Of Sleep
Accumulations
At Dawn
Sustain and Dissolve
Brass (II)
Warp and Weft
Wind Piece
An Arc of the Horizon
Percussion (III)
Tulsa
The Cepheid Variations
Deliquescence
Resonant Field
Double Bass Crossfade
Refrain (A Whisper, an Alarm)
A Visible Length of Light
Refrain (A Shortness of Breath)
Threshes
To Bridge the Chasm of Experience
Refrain (The End of the Familiar)
The Beacon
Grasslands
Refrain (Of Infinitude)
The Number Of The Sand
Dragano Earworm
Vapours - Radio Edit
In This Time
Vapours
Sister of Sleep
The Measure Of The Sea
Of Shadow and Substance - Radio Edit
The Place Where the Sky Was Born
Oracular Chasm
Of Shadow and Substance
Cepheid
Axis/Atlas
The Oracle
Two Way Mirror
Swarm
An Unbroken Plane
Rods and Cones
Faces in the Shadows
In Anticipation Of
Resonance Shapes
Waiting in Non-Linear Time
Of Shadow and Substance (except)
Harmonic Rising
Signature
I See Red
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