
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organ
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Gilded
Play The Ghost
Gradual of Image
Untitled, Live in Portland
Or Something
Ghosts And All
Evensong
Garlands
Rushes Recede
Doubled Flutes
Waking
Buhrstone
Still Lives
Passing Bell
Chorus Scene
For Voice
Gold Upon White
Stations II
Ruminant
Border of Mind
Third Hour
Magdalena
The Pelican
En Bas Tu Vois
Auster
Midlands
At Hand
Alas, Departing
Night Horns (edit)
Gloaming
Perfumes III
First Cadence
Perfumes I
A Woman Escapes Cue 4
Hall of Mirrors
Matins
Stations V
Chanter
Perfumes II
For Organ
Mordents
Stations IV
For Strings
Abeyant
Stations I
Hours in the Evening
Canyon Walls
Hanging Gardens
Composition Of Flowers (Excerpt)
Vanity of Ages
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