
Asnaqètch Wèrqu made her name as one of Ethiopia’s first screen actresses in the 1950s. Then for 30 years she won people’s lasting respect and affection for her “poignant laments” and “sarcastic ditties.” Her krar, an ancient, folkloric Ethiopan lyre, ( the companion of the lonely and loveless), has a thin, brittle sound—somewhere between an old, dull-toned banjo and a Japanese koto—and her clear voice flutters and moans with the seductive allure of old country blues or dark, Celtic ballads.
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Tezeta
Lomi talubat
Gum Gum
Mèla mèla
Endègèna
Gubèlyé
Mengedegnaw Lebe
Mèngèdègnaw lebè
Endénèh bèlulegn
Sabyé
Alèmyé
Erèyé demamu
Feqrié dèhna hun
Tchela atbèlègn
Feqryé tèrèda
Altchelèwem berd nèw
Endè Iyèrusalém
Mela Mela
Endegena
Wègèné
Shèmonmwanayéwa
Alèm shègga
Sèla bèlelegn
Eh lebèl
Gubelye
Ende Iyerusalem
Sabye
Alemye
Wegene
Endeneh Belulegn
Mètché new
Alem Shegga
Altchelewem Berd New
Feqrie dehna hun
Ereye Demamu
Shemonmwanayewa
Sela Belelegn
Eh Lebel
Feqrye tereda
Metche New
Tchela Atbelegn
Mèngèdègnaw lebé
Mètché nèw
Endè Lyèrusalém
Tezata
Feqrié tèrèda
Fegrye Tereda
Sèla bèlegn
Asnaqetch Werqu - Tezeta
Asnaqetch Werqu - Endénèh Bèlulegn
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