
Antonello da Caserta, also Anthonello, Antonellus Marot, was an Italian composer of the medieval era, active in the late 14th and early 15th centuries. Essentially nothing is known of Antonello's life. Earlier in the 20th century, Nino Pirrotta thought Caserta was a Neapolitan composer, but because most of his surviving works are in northern Italian manuscripts, this is disputed. Allusions in his texts suggest that he worked for the Visconti family in Milan around the turn of the 15th century, and archival documents place him in Pavia in 1402.
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Notes pour moi ceste ballade
Amour m'a le cuer mis
Je ne puis avoir plaisir
Del glorioso titolo
Dame d'onour
Beauté parfaite
Amour M'a Le Cuer Mis En Tel Martire
Più chiar che'l sol
Dame zentil en qui est ma sperance
Beaute parfaite
Piu chiar ch'el sol
Con dogliosi martiri
Del Glorioso Titolo D'esto Duce
Piu chiar che'l sol
Dame D'onour C'on Ne Puet Esprixier
Con Dogliosi Martire Che 'l Mio Cor
Del giorioso titolo
Beaute parfaite (ballade, instr) 2 recorders, vielle
Dame d'onour (ballade, instr) 2 recorders, vielle, organetto, lute
Dame zentil (rondeau) v, recorder, 2 vielles, organetto, lute
Amour m'a le cuer mis (ballade) v, recorder, vielle, organetto, lute
Notes pour moi ceste (v, 2 recorders, lute, organetto) ballade
Dame d'onour (3v, recorder, fiddle, lute, harp) rondeau
Notés pour moi
Anthonello da CASERTA. Amour m'a le cuer mis en tel martire (ballade stanza) 3v
Dame D'onour, En Qui Tout Mon Cuer
Je Ne Puis Avoir Plaisir (Virelai)
Un fior gentil
Sumite, karissimi
Dime, Fortuna
Gloria: Ad ogni vento
Dame D'onour En Qui Tout Mon Cuer
Amour m'a le cuer mis en tel martire (ballade)
D'amor ragionando
Dame Zentil
Più chiar che'l sol (Anthonello de Caserta, Matteo da Perugia)
O Zentil Madona Mia
Del glorioso titulo
Amour M'a Le Cuer
Amour m'a le cuer mis en tel martire (Arr. for Piano by Arseniy Gusev)
Amour m’a le cueur mis
Amour m a le cuer mis
Beaute parfaite bonte sovrayne
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