
artist & synthesist living and working in chicago, il https://zanderraymond.bandcamp.com/ In my studio practice, I see debris as a resource. Drawing from a stockpile of found materials, tools, and images, I improvise with what is at hand. Through gentle nudges, notices, and gestures, I coax the work into existence-- paying careful attention to the pre-existing character embedded in the material. In most cases, an object’s subjectivity or assigned role is deactivated as soon as it enters the studio space
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In Terms Of
It's Impossible Not to Wonder Why
Just Keep Going
for all we know
Witness Marks
French Door
Knoll (Under)
It's Troubling
The Woods Outback
Harbor
Gap in the Breakwater
Barn
I'm Sure
Segment Of Rope
Window Unit Left
Ravenswood Manor
Gate
Door-Shaped Joke
Bodega
Forward, etc.
surely
Snuck Inside the Fence
park
Drop Shadow
window
That (Surface, Edge)
This
The Length Of A Stairway
Twin Bridges
Forward, Upward
silent curtain
An Ordinary Eave
Backseat Problem
repeat until you remember
Burble
hindsight
as an object
Last Minute Tuesday (Basin)
The Furthest Road
Concrete Meets Asphalt (Limpid Glow)
Emblems Among Emblems
You Can Almost Hear It Sighing
Broadsheet Breeze
in a way, that's what we're doing
running down a path
allowance
Footlight Teaser
backdoor, woods
tracing back
the shape of a squirrel running away
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