About Walter Murch
Walter Murch was born in 1943. In his childhood he experimented with a tape recorder and was inspired by listening to musique concrete. He studied at Johns Hopkins University, in Italy and France, and then at the University of Southern California. Friendships with student colleagues George Lucas, Francis Ford Coppola, and Matthew Robbins led to him becoming a film editor. Since 1969, he has worked as sound editor, editor, co-writer, or director on films such as THX1138 (1970)
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Top Tracks
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What's wrong
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Home
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On the job
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End of shift
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Chemical imbalance
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Forbidden proximity
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SEN's plan
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Trial and punishment
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Fighting back
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Medical diagnosis
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Mind-lock
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Intruder's prayer
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The fate of LUH 3417
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Foot chase
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Nothing to fear
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Prison without walls
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Tagged
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The all-pervasive voice
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Jet cars
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Music as sound effects
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I think I ran over a wookiee
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Thunder in limbo
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Radio chatter voices
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Restricted expressway
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Motorcycle sound effects
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Creating echo effects
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Music box in the MRI scene
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Torture scene
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Room tone in the limbo prison
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Cubistic sound in the trial
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Jet car sound effects
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Womb Tone
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Dynamic range in the rushing hallway
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Return To Oz (1985)
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Dynamic range in the rushing h
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Return to OZ
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Las claves para entender su estilo.
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Tapestry of mono and stereo, shifts in environment
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Comment - The all-pervasive voice
40
Comment - Creating echo effects
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Comment - I think I ran over a wookiee
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Comment - Cubistic sound in the trial
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Comment - Music box in the MRI scene
44
Comment - Jet car sound effects
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Li, things unlikely to get except by chance
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Dialogue like the moon, sound effects like the stars
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You must defend your dreams, they're your most prized possession
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Title1 - Chapter 01
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Making the Right Editing Choices & Switching to Adobe Premiere Pro CC
50
The Delta
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