
Afghan rebâb virtuoso Ustad Mohammad Omar, who was born sometime in the early 20th century, came to the United States in 1974 to Seattle’s University of Washington as an artist-in residence in the ethnomusicology department. On 18 November 1974, he gave his only U.S. concert, at the university’s Meany Hall. He was accompanied by 24-year-old Zakir Hussain, a budding Indian tabla player. Hussain went on to become a world-renowned tabla virtuoso. Ustad Mohammad Omar returned to Afghanistan after his year in Seattle and died in 1980.
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Keliwali in the melodic mode of kastori
Tabla solo in the rhythmic cycle of jhaptal (10-beat cycle)
Shakal and naghma in the melodic mode of emen (yeman)
Shakal and naghma in the melodic mode of bopali (bhupali)
Shakal and naghma based on the melodic mode of pelo (pilu)
Rebab and Dhol
Tabla solo
Shakal and Naghma in the melod
Keliwali
Shakal and Naghma in the melodic mode of Emen
Tabla solo in the rhythmic cyc
Tabla solo in the rhythmic cycle of Jhaptal
Emen/Tintal
Shakal and Naghma in the melodic mode of Bopali
Shakal and Naghma based on the melodic mode of Pelo
Shakal and Naghma based on the
Keliwali in the melodic mode o
Bopali/Jhaptal
Pelo/Tintal
Emen - Tintal
Emen / Tintal
Pelo / Tintal
Bopali / Jhaptal
Bopali - Jhaptal
Folkmelodie
Naghma Tilang
Rag Bhopali
05 - Keliwali
Rag Ahir Bairow
Rag Pahari
Rubab Solo
Rag Bhairawi
Pelo - Tintal
Rag Puria Kalian
Ghazni Chant
Robab and Tambur (Folk)
emen tintal
Classical Composition in Raag Emen
Anar Anar, Folk Song in Raag Bhairavi
Folk Song in the Mood of Raag Kafi
Keliwali in Raag Kesturi
Bopali /Jhaptal
Classical Composition in Raag Sohni
Folk Song in Raag Kesturi
Rubab
Pelo (Tintal Tala)
Emen (Tintal Tala)
Ayesha, Folk Song in the Mood of Raag Khamaj
Bia Ke Berim Ba Mazar, Folk Song in Raag Bhairavi
Classical Composition in Raag Pilo
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