
What does an ensemble of four musicians from completely different societal backgrounds do with a 13th-century song that survives only as a skeletal vocal line? The answer is: they listen, they improvise and they give free rein to their musical associations, knowing that the result will be something entirely new. For John Potter, the longstanding tenor of the Hilliard Ensemble and a teacher at York University, music exists by definition only in the present.
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Got schepfer aller dingen
Come Again
Refrain 1
First Descent
Pulcherrima rosa
Veris dulcis
Ora pro nobis
Accenti queruli
Dulce solum
Care-charming sleep (1st version)
O beata infantia
First Triage
Refrain 2
Ein iberisch Postambel
Kyrie Jesus autem transiens
Ein gut Preambel
Can vei la lauzeta mover
Saudade
Refrain 3
Recercar
O Rosa
In flagellis
She loves and she confesses
Sanctus Tu solus qui facis
As I walked forth
Weep, weep, mine eyes
Der oben swebt
Flow My Tears
Corpus Christi
Whistling In The Dark
Credo Laudate dominum
Angela siete
Man In The Moon
Second Triage
Weep You No More, Sad Fountains
Have you seen but a bright lily grow
In Darkness Let Me Dwell
Care-charming sleep (2nd version)
Hortus Ignotus
Swart Mekerd Smethes
Mystery Play
I Sing Of A Maiden
Ancor che col partire (violin version)
Lachrimae Verae
Theoleptus 22
Fumeux Fume
From Silent Night
Menino Jesus a Lapa
Gia piu volte tremante
The Lowest Trees Have Tops
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