
Looking back, ever since I first picked up the guitar at 10 years old, “my music” and “recording” are activities that have been closely entwined. I was born and raised not in a family of musicians, but rather in an ordinary Japanese home. There were no microphones, multitrack recorders, or any recording equipment to speak of just laying around the house. But there was a video camera that could be used for multitracking, and it became my first tape machine.
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To Waters of Lethe
Sunrise
Lost
Nijuuisseiki No Mori (UP-05)
Morning Sun
Shore
The Room
Following Morning
Shadow (2024 mix)
Before
Aquapolis (UP-02)
Reflections / Entering #2
The Near End, The Dark Night, The County Line
Mahidere Birhan
Mizu
Waterfront (UP-01)
Slowly Diving
Evening Song
Mirror
Ohme Part 1
Taco Beach
Ohme Part 2
Deep River
Howlin' Dog
A Love Supreme
Love
Nefertite
Portrait of Yanagi
November Owens Valley
Galaxy
If Sea Could Sing
Nights
No Way
Moons
Acute Angle Black Button
Sand
By The Pool
Birds
Until We See The Ground
Reflections / Entering #3
Planetarium
Third Sector (UP-03)
Shades
New Morning
New Urban Center (UP-09)
Stay
Cosmodome (UP-15)
Mizu No Yukue
After the Fever (Thema)
Lake
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