
Sophie Junker regularly performs with top-flight conductors including Harry Bicket (Dorinda Orlando), Laurence Cummings (Sigismondo in Handel’s Arminio, Aspasia in Alexander Balus, Michal in Saul, and Bellezza in Il Trionfo del Tempo e del Disinganno), Christian Curnyn (Italian Woman in Charpentier’s Médée, Phoebe in Rameau’s Castor et Pollux), Masaaki Suzuki (Monteverdi’s Vespers), and Stefano Montanari (Zerlina Don Giovanni). Described by Opera magazine as “… irresistibly charming”
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Giove in Argo, Act II: Con fiamme, e con straggi (Iside)
Joseph and his Brethren, HWV 59, Act II Scene 2: Prophetic raptures swell my breast (Asenath)
Temistocle, Act I Scene 6: Chi mai d'iniqua stella (Aspasia)
La Silvia, RV 734, Act I Scene 14: Mio cor, s'io ti credessi (Nerina)
Ode to St. Cecilia's day, HWV 76: What passion cannot raise and quell!
Arianna, Parte seconda. Scene 2: Come mai puoi vedermi piangere (Arianna)
Ottone in villa, RV 729, Act II Scene 3: L'ombre, l'aure, e ancora il rio (Caio)
Ambleto, Act II: Sì, ti sente l'alma mia (Ildegarde)
Atenaide, RV 702, Act III Scene 7: Qual demone, qual furia (Eudossa)
Deidamia, HWV 42, Act I Scene 5: Nasconde l'usignol in alto rami il nido (Deidamia)
Semele, HWV 58, Act III Scene 3: Myself I shall adore (Semele)
I. Allegro
II. Grave
III. Allegro
Zeffiretti, che sussurrate, RV 749.21
Bajazet, Act I Scene 15: Vendetta sì, farò (Asteria)
Andromeda liberata, Parte prima: Si, rinforzi in te la spene (Cassiope)
Ifigenia in Aulide, Act III Scene 13: Madre diletta, abbracciami (Ifigenia)
Hercules, HWV 60, Act I Scene 5: My father! Ah! (Iole)
Caio Marzio Coriolano, Act III Scene 7: Per combatter con lo sdegno (Claudia)
Faramondo, HWV 39, Act I Scene 15: Mi parto lieta sulla tua fede! (Clotilde)
Deidamia, HWV 42, Act II Scene 9: Và, perfido ! Quel cor mi tradirà (Deidamia)
Saul, HWV 53, Act III Scene 5: In sweetest harmony they lived (Michal)
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata": No. 1, Was mir behagt, ist nur die muntre Jagd!
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata": No. 12, Entzucket uns beide, ihr Strahlen der Freude
Sonata
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata": No. 2, Jagen ist die Lust der Götter
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata": No. 5, Ich liebe dich zwar noch!
Belshazzar, HWV 61: Sinfonia "Allegro Postillons"
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Ein Furst ist seines Landes Pan! (Bass)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Jagen ist die Lust der Gotter (Soprano 1)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Was mir behagt, ist nur die muntre Jagd! (Soprano 1)
Serse, HWV 40, Act I Scene 7: Nè men con l'ombre d'infedeltà" (Romilda)
Theodora, HWV 68, Pt. 1: No. 13, Air. Fond, Flatt'ring World, Adieu! (Theodora)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Schafe konnen sicher weiden (Soprano 2)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Lebe, Sonne dieser Erden (Chorus)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich liebe dich zwar noch! (Soprano 1, Tenor)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Soll denn der Pales Opfer hier das letzte sein? (Soprano 2)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Wie? Schonste Gottin! Wie? (Tenor)
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Ihr lieblichste Blicke! Ihr freudige Stunden! (Chorus)
No. 27, Schönste Freundin
Semele, HWV 58: Overture
No. 5, Die freundlichsten Küsse
King Arthur, Z. 628 : King Arthur, Z.628, Act III: "Thou Doting Fool"
King Arthur, Z. 628 : King Arthur, Z.628, Act III: "No Part of My Dominion Shall Be Waste"
King Arthur, Z. 628 : King Arthur, Z.628, Act III: "'Tis I That Have Warm'd Ye"
King Arthur, Z. 628 : King Arthur, Z.628, Act III: "Sound a Parley"
The Occasional Oratorio, HWV 62: Musette from "Sinfonia"
No. 1, Wann meine Sünd’ mich kränken
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