
Over the past eight years Simon Whetham has developed a practice of working with sound recordings as a raw material for composition. These are often environmental sounds he has captured employing a variety of methods and techniques, in order to obtain discrete or obscured sonic phenomena. In removing sound from it's source, and often amplifying it significantly, it becomes much more abstract – familiar, yet otherworldly. More recently, when presenting work in a performance or installation
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A Metallic Aftertaste
Part First (An Uncertain Distance)
Inertia, Rising
For A Short Time, Our Love Was Strong
Part Second (Paths, Crossing)
El Parque Está Situado En Su Propia Casa
Shifting
For A Short Moment, Our Love Was Strong
Part Third (The Chamber)
Mall Muzak
A Little Faith
Accentuate the Positive
Lightspace
Aware of Other Levels
You Can't Escape the Past
Inertia, Rising (Below The Radar mix)
Darkerspace
Things Just Fall Where They Want To
Music's A Wood You Walk Through
From Above
another chance
Fabricaria
Watering the Piano (part 1)
One side of the border
Cold Shoulder (Part 1.2)
The Suspension of Time (Interlude)
What Matters Is That It Matters
El Parque Esta Sitio En Su Propia Casa
The Suspension of Time - Interlude
The Innocence of Deceit
(Re)Cycles
Beneath The Swinging Bridge
Light
Frozenstream
The Other Side of the Border
Watering The Piano (Part 2)
Lightyears
Souvenir
Leftovers
Reykjavik Thermalshock
On Heavy Rotation
Blackout Carrier
finding shelter
Night train insomnia
Really Broken
Alien Nebula Rider
Early Sight
Is the water supposed to be this blue?
half light
Lifesigns / Ashcloud - Interlude
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