
The Seesar project constructs dark ambient soundscapes using unnamable timbres and demented, uncanny rhythms and melodies to evoke the fear and dread expressed within the works of H. P. Lovecraft and other authors of Mythos fiction. More specifically, Seesar draws from Italian Futurism and Dadaist aesthetics, embracing the sounds of modern society that embody the end of world as it was seen around the turn of the 20th Century. It is a fitting incorporation as it parallels Lovecraft’s manifestation of modernism as Cosmic Doom.
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Yithians vs The Tcho Tcho (Black Cat remix)
Audience with Cxaxukluth
Sebek and the Saracenic Rituals of De Vermis Mysteriis
By the Light of Al Hazred's Lamp (Live Performance)
The Gease of Tsathoggua
Øxgerma Kathule 2013 Soundtrack
Worshipping R'taq
Turning The Silver Key
Call To The Festival 01
Innsmouth wo ô Kage (Tainted Mix)
Slightly Luminous
Opening The 13 Gates (Of The Necronomicon)
Transversing the Woods
From Out of the Corners They Come
Devoured by Stars
Child Of Yig
Call to the Festival 02
What the Moon Brings
Return of the Pugilist
The Hanging Witch
Vanquishing the Fungal Vampire
The Grease of Tsathoggua
The Time-Travelling Ghoul-Kin
Flight of Raphtontis
The Evil-Looking Boy
Foramen Porta Magnum Innominandum
Floating Among the Windowless Basalt Towers
Descending to Y'ha nthlei
Acsension at the Valusian Burial Mound
Daikaiju (remixed by murmurists)
Elder Things Below Kharkhov Station
Jewel of Dylath-Leen
The Time-Travelling Ghoul Kin
The Disappearance Of 1926
The Tillinghast Device
Invisible Maze of the Man Lizards
Sirens Beyond
Under the Ice near Vostok
Footprints in the Flour
Kalabalah
Seesar - By the Light of Al Hazred's Lamp (Live Performance)
The Abominable Transformation
Droneuary XXXIX - Even Death May Die
Even Death May Die
The Eve Of The Battle Of Sakomand
The Negotiations With King Randolph
Cool Air
The Possession Of Crom-Ya
The Indifference Of Tsathoggua
Buna Klaaktuk vs The Great Race (Spectral Rat Remix)
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