
Sebastian Lexer (b.1971) A fascination in contingency of sound has been the basis for Sebastian’s developments in extended piano techniques and a further exploration of modified sonorities derived from the acoustic piano using real-time computer processes. The resulting performance system piano+ has equally developed from a persistent interest in free improvisation and contemporary experimental music. The piano studies and continuing collaborations
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Time
Defining Edges
Tone
Rapprochement
Opposition
Abscissa and Ordinate
Abcissa And Ordinate
Trilinear α
Trilinear β
Trilinear γ
Impossibility in Its Purest Form
WireExcerpt1_Solo_Dec2008
solo: excerpt from a recording session in December 2008
early experiment: this excerpt is from a session (Feb 2007)
early experiment: excerpt from a experimental solo session in 2007 testing/playing piano+
Piano Piece 1958
for Christine Jennings 1960
Winter Trees 1965
Piano Piece 1960
Winter Sun 1966
Electronic Music for Piano 1964
March 23rd 2009 solo
01 - time
02 - defining edges
03 - rapprochement
04 - tone
05 - abscissa and ordinate
06 - opposition
2009_March_23rd_solo
2009_March_23rd_trio+one
2009_March_23rd_trio
WireExcerpt4_sampleExperiment
WireExcerpt5_SoloApril2007
Solo
1. time
4. tone
2. defining edges
3. rapprochement
- SEB final
John Edwards, Sebastian Lexer, John Tilbury - JE_SL_JT
Study IV
Study III (shifting focus)
Solo March 23rd 2009
trio: Eddie Prévost (perc), Sebastian Lexer (piano+) & Seymour Wright (sax)
duo: Grundik Kasyansky (electronics) & Sebastian Lexer (piano+)
Experiment
WireExcerpt4
Duo
Early Experiment
Early Experiment Solo
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