
Praised for "superb" performances by The New York Times as well as his ability to "show off the instrument's malleability and freakish extended range as well as its delicacy and refinement" by The Chicago Reader, Ryan Muncy is a saxophonist who performs, commissions, and presents new music. His work emphasizes collaborative relationships with composers and artists of his generation and aims to reimagine the way listeners experience the saxophone through contemporary music.
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Dinosaur Scar
Hot
Wicker Park
Rasch (version for saxophone and viola)
Refrain From Riffing
Saxony
Asphyxia
James Tenney: Saxony
Gray Faces
masked by likeness
Pre-Amnesia
Strohbass
The last leaf (version for sopranino saxophone)
Largo calligrafico / "patientiam"
Mouthpiece Xxiv
Erin Gee: Mouthpiece XXIV
Rasch
Hot, for solo tenor & sopranino saxophone & ensemble
Saxony for saxophone and cumulative tape-delay system
The Last Leaf
Morgan Krauss: masked by likeness
Ryan and Dan, for electric guitar and saxophone
Mouthpiece XXIV (with Ross Karre, percussion)
Rasch, for soprano saxophone & viola
Ryan and Dan
The Last Leaf, for sopranino saxophone
Evan Johnson: Largo calligrafico / "patientiam"
Sonata, Op. 115: I. Allegro
Sonata, Op. 115: II. Andantino
Sonata, Op. 115: III. Vivo
David Reminick: Gray Faces
Largo calligrafico/"patientam"
Georges Aperghis - Rasch (version for saxophone and viola)
Anthony Cheung - Refrain from Riffing
Aaron Cassidy - Asphyxia
Marcos Balter - Strohbass
Chaya Czernowin - The last leaf (version for sopranino saxophone)
Franco Donatoni - Hot
James Tenney - Saxony
Erin Gee - Mouthpiece XXIV
David Reminick - Gray Faces
Morgan Krauss - masked by likeness
Evan Johnson - Largo calligrafico/"patientam"
Lee Hyla - Pre-Amnesia
Largo calligrafico / "patientam"
Refrain from Riffing, for alto saxophone & harp
Asphyxia, for soprano saxophone
Strohbass, for bass flute & baritone saxophone
I. Flora
II. Fauna
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