Peter Gilbert
About Peter Gilbert
Peter Gilbert's work combines traditional instrumental writing with elements of improvisation, live-performed electronics, and other media. His music, whether in multi-media theater, film, installation or a traditional concert, thrives on the act and art of collaboration. He writes: “My music usually aspires to create a sonic architecture that helps us lose our sense of time completely and allows us to partake in a kind of more direct aural experience.
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Top Tracks
Tsukimi: No. 1, Ama no hara
Tsukimi: No. 2, Akikaze ni
Tsukimi: No. 3, Tsuki mireba
Tsukimi: No. 4, Nageke tote
Tsukimi: No. 5, Wata no hara
Tsukimi: No. 6, Kokoro ni mo
Tsukimi: No. 7, Hototogisu
Tsukimi: No. 8, Natsu no yo wa
Passage VI: Final Passage
Passage I
Passage III
Revealing Distant Cities
Passage II
The Voice Opens Wide to Forget That Which You Are Singing
Meditation upon the Awakening of the Spirit (Version for Electronics)
4 Intermezzi: No. 1, Gently
4 Intermezzi: No. 4, Stately and Unhurried but Still Lyrical
Passage VI, "Final Passage"
Ricochet
4 Intermezzi: No. 3, Grand, but Holding Back Somewhat
The Bold Arch of Undreamt Bridges
Neñia (Canción Fúnebre)
Passage (Orange into Silver)
Soon as the Sun Forsook the Eastern Main
4 Intermezzi: No. 2, Serenely but Impetuously Lilting
Meditation
Rituals
Passage IV
Passage V
Elegie
Stop the Presses (Pod 1) phones mix
Burned into the Orange
By the Lonely Traveller’s Call (Live)
Meditation Upon the Awakening of a Spirit to Compassion & Love
Allen den stillen Geschiwistern im Winde der Weisen
Channeling the Waters
Die Reflexionen des Schattens
Final Passage
The Ringing of Golden Balconies (Live)
The Palm of Your Hand Touches My Body (Live)
Neñia (Canción Fúnebre): Neñia (Canción Fúnebre)
Canons (from Canons for Brass Quintet)
Hyperburn PodB
Passage VI, "Final Passage": Passage VI: Final Passage
Mario 2
Can't Be
Passage II (Gilbert)
Final Passage (Gilbert)
Intermezzo No. 1, "Soon"
Intermezzo No. 2
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