Robert Greenberg
About Robert Greenberg
Robert Greenberg, Ph.D., is music historian-in-residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in music composition from the University of California, Berkeley, and has seen his compositions—which include more than 45 works for a wide variety of instrumental and vocal ensembles—performed all over the world, including New York, San Francisco, Chicago, Los Angeles, England, Ireland, Greece, Italy, and the Netherlands.
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Top Tracks
Introduction
Introduction to the Renaissance
The Middle Ages
Sources
01. Introduction and Words and Music, I
Introduction to the Baroque
Fugue
The Language of Music
Baroque Opera, Part 1
Baroque Opera, Part 2
The Renaissance Mass
The Rise of German Nationalism in Music
01-1 Introduction
02. Introduction and Words and Music, II
Style Features of Baroque Music
Secular Music in the Late Renaissance
02-4 Christmas, 1722
Leopold and the Grand Tour
Paris
Timbre, Continued
03. A Brief History of Vocal Expression in Music, I
02-5 Christmas, 1722
The Last Years
04-1 Fugue
02-6 Christmas, 1722
05. Invention of Opera and Monteverdi's Orfeo, I
01. Let's Take It From the Top!
02-1 Christmas, 1722
02-7 Christmas, 1722
01. Introduction and Words and
01-2 Introduction
02-9 Christmas, 1722
01-3 Introduction
Baroque Instrumental Forms, Part 2
Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1
Baroque Sacred Music, Part 1
04. A Brief History of Vocal Expression in Music, II
Flight from Salzburg and Arrival in Vienna
03-1 Introduction to the Baroque Aesthetic
02-8 Christmas, 1722
Classical-Era Form - Theme and Variations
06. Invention of Opera and Monteverdi's Orfeo, II
05-1 Historical Overview
03-8 Introduction to the Baroque Aesthetic
Russian Nationalism
Operas in Vienna
The Viennese Classical Style
Timbre, Part 3
Beat and Tempo
Classical-Era Form - Sonata-Allegro Form I, Part 2
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