
Robert Curgenven (1974) works with harmonics, textures and resonance as articulated not only through instruments/objects, in space and place, but also in time and the dislocation of the remote, exploring slowly shifting layers in the fabric of fields of perception. Creating vast landscapes from carefully detailed recordings through to immersive resonances via deft manipulations of sound pressure - described by one audience member as “like a punch in the face while elsewhere flowers bloomed.“
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Gran Coda Andante
Acciaccatura Amplificata
Isole: Allargando Nero
Largo Capriccioso
Nero Lento: Coda Lunga
Ressuscitant De L'étreinte De La Sirène
Scene 1. Scattered to the wind, the fortunate
Eclipse
Cornubia
Looking For Narratives on Small Islands (extract)
Framed by the Edge of the Earth
Turner's Tempest
En Plein Air
En El Turbulento Infinito, La Duración Del Tiempo Y Más Allá
Doors open and, with the breath of the wind, we are subsumed
under foreign topologies.
Under Foreign Topologies
Looking for Narratives on Small Islands
Scene 2. Only the dogs and the fires on the horizon
Scene 3. The heat at their necks
Imperial Horizon
Imperial Horizon (For Caliban)
Scene 4. And when the storm came, they were the storm
acquisition eviction
interval: there’s nothing new under the sun
invariance strata
displacement
epilogue: a frontier approached, its retreat a mirror
Silent Landscapes No 1
Leaving Solaris (Forecast #6)
Silent Landscapes No 2
built through both sides
_GENESIS
Silent Landscapes no. 5
AG_NESIS
Silent Landscapes No 3
A_ENESIS
Silent Landscapes No 4
"Silent Landscapes No. 2"
Gruen Transfer #4
AGEN_SIS
Gravity Waves
AGE_ESIS
introduction- in the courtyard, a garden
AGENE_IS
Black Phase
AGENES_S
framed by a threshold
AGENESI_
where bodies corporate stand
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