
Pierre Boulez (26 March 1925 – 5 January 2016) was a French composer, conductor, prolific writer, and pianist. He was also the founder and former director of the Paris based Institut de Recherche et Coordination Acoustique/Musique (IRCAM). In his early career, Boulez played a key role in the development of integral serialism, controlled chance and electronic music. This, coupled with his highly polemical views on the evolution of music, gained him the image of an enfant terrible.
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Glose
Strophe II
Strophe III
Sonatine
Danse générale from Daphnis et Chloé, Suite No. 2
Section 5
12 Notations pour piano: I Fantasque - Modéré
Section 1
12 Notations pour piano: XI Scintillant
Lent
Transition V & VI
Sigle initial
Le Marteau sans maître: Avant "l'artisanat furieux"
Strophe VI
Section 7
Section 6
Répons: Section 1
Assez large - Rapide
Incises
Douze Notations Pour Piano (1945): Hiératique
Lent - Beaucoup plus allant
Répons (1981 - 1984): Section 1
Le Marteau sans maître: I. Avant "l'Artisanat furieux"
Introduction
Coda
Transition III & IV
Répons (1981 - 1984): Introduction
Structures, Book 1: Piece No. 1
Strophe IV
Schönberg : Variations Op.31 : I Introduction
Section 2
Section 3
Sigle final
Section 8
Le Marteau Sans Maître: Commentaire i de "Bourreaux de Solitude"
Le Marteau sans maître: II. Commentaire I de "Bourreaux de solitude"
Le Marteau sans maître: "L'artisanat furieux"
Piano Sonata No. 1: I. Lent - Beaucoup Plus Allant
Transition II & III
Section 4
Dérive 1
Schönberg : Variations Op.31 : II Theme
Le Marteau Sans Maître: "Bourreaux de solitude"
Troisième Sonate, 1957, formant 2: Trope. Commentaire
Stravinsky: Le Sacre du Printemps / Part 2: Le Sacrifice - 6. Danse sacrale: l'élue
Répons: Introduction
Strophe V
Strophe 1
Le Marteau Sans Maître: Commentaire II de "Bourreaux de solitude"
Dérive 2
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