
The French counter-tenor, Pascal Bertin, began his singing carrier at the age of 11 years old with the Choeur d' Enfants de Paris, conducted by Roger de Magnee, with whom he performed as a soloist around the world conducted among others by Seiji Ozawa, Zubin Mehta, and Sir Georg Solti. In 1988 he received, as a student of William Christie, the first prize for interpretation of baroque music from the Conservatoire National Supérieur de Musique de Paris.
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V. 1539 Muerte de la Esposa de Carlos V: "Mille Regretz" (Chanson)
Ach Herr, mich armen Sunder, BWV 135: Ach Herr, mich armen Sunder (Chorus)
Audi, benigne Conditor (C. M. Montecassino No. 40)
Ach Gott, wie manches Herzeleid, BWV 3: Duet Aria: Wenn Sorgen auf mich dringen (Soprano, Alto)
Benedic anima mea (Ps. 103, 1-3)
Ach Gott, vom Himmel sieh darein, BWV 2: Aria: Tilg, o Gott, die Lehren (Alto)
Ach Gott, vom Himmel sieh darein, BWV 2: Chorale: Ach Gott, vom Himmel sieh darein
Ach Herr, mich armen Sunder, BWV 135: Aria: Weicht, all ihr Ubeltater (Bass)
Messe in H-moll, BWV 232: Qui sedes ad dextram Patris
Carlos V - Mille Regretz: La Canción del Emperador: Mille Regretz (Chanson) (Josquin des Prés)
Ach Herr, mich armen Sunder, BWV 135: Aria: Troste mir, Jesu, mein Gemute (Tenor)
Lascia ch'io pianga (Rinaldo)
Sire, l'assalto, alquanto tardi
Aus tiefer Not schrei ich zu dir, BWV 38: Aria: Ich hore mitten in den Leiden (Tenor)
Dell'onor di giuste imprese
Messe in H-moll, BWV 232: Laudamus te
Aus tiefer Not schrei ich zu dir, BWV 38: Aus tiefer Not schrei ich zu dir (Chorus)
Messe in H-moll, BWV 232: Agnus Dei
Ach Gott, wie manches Herzeleid, BWV 3: Aria: Empfind ich Hollenangst und Pein (Bass)
Ach Gott, vom Himmel sieh darein, BWV 2: Aria: Durchs Feuer wird das Silber rein (Tenor)
Per mia vendetta ancor
Ach Gott, wie manches Herzeleid, BWV 3: Ach Gott, wie manches Herzeleid (Chorus)
Aus tiefer Not schrei ich zu dir, BWV 38: Trio Aria: Wenn meine Trubsal als mit Ketten (Soprano, Alto, Bass)
Che mai pensa tentar l'alma guerriera
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Messe in H-moll, BWV 232: Christe Eleison
Éloge de la duchesse de Ferrara
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
My way
L'elixir d'amour : Una furtiva lagrima (Acte II) air de nemorino / Version pour 3 hauts-contres et orchestre
Cara sposa (Rinaldo)
O Sole mio
Orfeo, Prologue: Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Handel: Riccardo Primo, Rè d'Inghilterra / Act 1 - V'adoro, o luci belle
Carmen, opera-comique in 4 acts: Habanera
Mile regretz (Chanson)
Weinen, Klagen, Sorgen, Zagen, BWV 12: III. Recitativo "Wir müssen durch viel Trübsal"
V'adoro, o luci belle
T'arresta, Oronte, ascolta
Handel: Riccardo Primo, Rè d'Inghilterra / Act 1 - T'arresta, Oronte, ascolta
Pena tiranna (Amadigi)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Sonate No. 2, Op. 5 : Adagio
Weinen, Klagen, Sorgen, Zagen, BWV 12: IV. Aria "Kreuz und Kronen sind verbunden"
Samson et Dalila, Op. 47, Acte II: Réponds à ma tendresse
Theatre of Early Music with Daniel Taylor, Suzie LeBlanc, Jan Kobow & Stephen Varcoe
Montréal Baroque
Yukari Nonoshita
Montreal Baroque with Monika Mauch, Matthew White, Charles Daniels, Stephan MacLeod & Eric MilnesTune into 50,000+ live radio stations from every corner of the world on an interactive 3D globe with audio-reactive visualizations.