
He began his research in the field of renaissance and baroque musical idioms around 1979 together with violinist Enrico Gatti and harpsicordist Rinaldo Alessandrini. Studied then with Jordi Savall at the Schola Cantorum Basiliensis in Switzerland. In 1982 he became a member of J.Savall's ensemble Hesperion XX and played with him until 1990 throughout the world, and making dozens of recordings (among them Bach's Kunst der Fuge, J.Dowlands Consort music, Neapolitan Renaissance Music , etc.
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sopra Las Vacas
Improvised Prelude
Passemezzo … nei boschi del Re
Toccata di tutti musici
sopra Passemezzo moderno
sopra Canaryo
… che col partire
Foliandalus
sopra l'anticho canto de La Spagna
Anchor che col partire'
Dolce Memoria
Doulce Memoire
Symphony No. 4 in A major, Op. 90, "Italian": Toccata del Signor Pandolpho
Toccata del Signor Gharrydo
Dialogo sopra un Pass'emezzo
A Solo (Tombeau)
Keep Going
Toccata del Signor Morhiny
I. Arpeggiata
Pieces de viole, Book 3: Suite in A minor: IX. Grand Ballet
Brothers
La Florentine
8 Maggio
Metamorphosis
Respiro
Il Sogno di Proserpina
Anchor Che Col Partire
Baghdad's Spring
Prairies
Albanese
I. Prelude
Toccata del Signor Pandolpho
Nana Bobo
Viola Da Gamba Suite in D Major: I. Prelude
A pavan
Viola Da Gamba Suite in D Minor: I. Arpeggiata
Passemezzo nei boschi del Re
Prelude
Prelude - Suite I (BWV 1007, C Major)
II. Allemande
Daphne
Pieces de violes avec la basse chifree: Suite No. 1 in E minor: I. Prelude
Allemande - Suite I (BWV 1007, C Major)
Whoope Doe Me No Harm
Aire en rondeau
Toccata per b quadro
Viola da gamba Suite in D major: II. Allegro
IV. Sarabande
Les Voix humaines
...che col partire...
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