"Slower than the second coming of Jesus Christ", as their label states. Huge chords and avalanche drumbeats surge and decay beneath male/female vocals. As bleak and diseased as Khanate 's ambient crunch, as blackened and crusty and demonically melodic as Unearthly Trance. The sounds of thunderclouds and bad days coming in slow tide over the horizon. OTESANEK explore the sublime space and speaker grit trapped between monstrous riffs and feedback decay.
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Seven Are They
Oceans
Dead in the Park
Narcotic Hues
Resonance of War
Decay As Precursor To Rebirth (Aka The Unconditional Warmth Of Our Mother's Arms)
Sanguinary
When Efficiency And Ambition Supercede Natural Parameters (Aka Ego Denied At 200.000 Miles Per Hour)
Vacant Stare Of The Wounded Psyche (Aka Deference Of Hope)
Outro
Decay as Precursor to Rebirth
Vacant Stare of the Wounded Psyche
When Efficiency and Ambition Supercede Natural Parameters
Last Gasp (Outro)
Track 01 (unmastered)
1. Otesanek - Narcotic Hues
01 - oceans
Narcotic Dues
Deference of hope / Resonance of War
Untitled
1. Oceans
Last Gasp
narcotic blues
When Efficiency and Ambition Supercede Natural Parameters (aka Ego Denied at 200,000 Miles per Hour)
Otesanek
War
I.Seven Are They
Otesanek - Narcotic Hues
(To Pass Away) Death March Towards My Ruin
2. Dead in the Park
Otesanek - Seven Are They
Left Unspoken
Heritage
Dead In The Park (2002 demo version)
Decay as Precursor to Rebirth (AKA The Unconditional Warmth of Our Mothers Arms)
When Efficiency and Ambition Supersede Natural Parameters (Aka Ego Denied at 200.000 Miles Per Hour)
10 Oceans
When Efficiency And Ambition Supercede Natural Parameters [Aka Ego Denied At 200.000 Miles Per Hour]
Vacant Stare Of The Wounded Psyche [Aka Deference Of Hope]
(outro)
Otesanek - 2
Four Burials - 01 - Seven Are They
Satellites
Otesanek - 1
OTESANEK narcotic hues
Decay As Precursor To Rebirth (Aka The Unconditional Warmth Of Our Mother's Arms
When Efficiency And Ambition Supercede Natural Parameters (Aka Ego Denied At 200
10 oceans.aif
Live at the Khyber 9-29-06 2/2
Untitled I
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