
British-born Muleskinner Jones is as much influenced by the experimental rock of The Fall, The Residents, Captain Beefheart and The Butthole Surfers as he is by traditional Country acts such as Hank Williams, Johnny Cash, Doc Boggs and the Harry Smith Anthologies. People get killed in these songs. Lots of them. And those that don't tend to get drunk and fall over. This off-the-wall, visceral avant-country tends to divide critical opinion. You'll have to make up your own mind.
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Death Row Hoedown
Death In Dixie
Truckstop Funeral
Satan Is My Bitch
Blood & Muskets
Pretty Polly
Little Dead Riding Hood
Drinking To Get Drunk
Mr. Jones' Last Song
Come Inside, Stranger
My Rented Room
Twisted, Sick And Bitter
gunslinger
Concrete Swamp
So Long, Mary Jones
Alcohol Tobacco Raygun?
Mr. Jones Skips Town
Rose Connelly
Blood & Muskets (Reprise)
Her Desert Yard
Men With Knives
Black River Wood
A Dying Man Can Sure Sing The Blues
Closing Theme
Don't Open The Mail
Mr. Jones Gets Blissed
Mr. Jones Vs. Sun City
Black Sheep Lullaby
Song Of The Rain
Between God & The Bottle
Untitled
Life's Not Fair
Hour Of The Blood-Orchid
Three Horses Pig
All The Good Times (Are Past And Gone)
Bad Timing
Too Many Horses (A True Story)
How Come That Blood On Your Coat Sleeve
The Homesick Soldier
Mid-Life Misanthropy Blues
Kathleen
How Come That Blood On Your Coat Sleeve?
Revolutionary
Blood & Muskets (at Wounded Knee)
Mr. Jones vs Sun City
Alcohol Tobacco Raygun
Between God And The Bottle
Death Row Hoedown - Muleskinner Jones
Blood And Muskets (At Wounded Knee)
Untitled (Wee Willy Winky)
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