
'60s Africa found the Zulu and Sotho beginning to incorporate the influences of African American R&B, jazz, and blues into their traditional, indigenous music. New styles such as township jazz, pennywhistle street music, Kwela, and marabi were formed. Eventually, these myriad styles coalesced to create a new hybrid pop music that came to be known as mbaqanga. Though mbaqanga employs the traditional instrumentation of Western pop (guitar, bass, drums
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Qhwayilahle
Qhwahilahle
Ohwahilahle
Ohwahilahe
Qhwayilahle (Leave Him Alone)
Qhwayilahle [Leave Him Alone]
Qhwayilahle - Moses Mchunu
Angeke Ngilale Ezintabeni
Qhwahilahe (Leave Him Alone)
Inkunzi Emnyama
Magugu Omhlaba
Sambamba
Lishonile Ilanga
Usuthu
Sibanqoba ngamunye
Impi Yomgangela
Kulezo ntaba
Hambani Niyokweshela
Emzini Bakhala Ngawe
Siyavuma
Ekhweni Lami
Ngibuyile Baba
Gijima mfana
Zophela i'mpondo zenyanga
Usitshela amaganyana
Amagama
Kuhle Ukuzenzela
Leave Him Alone
Yashisa igugu intombi yami
Woza Uhlale Nami
Yekelani inzondo
Uyayibona lentombi
Sibongile
Umona usuka esweni
Ngizula Nomhlaba
Angeke Ngilale Ezintabeni (I Won't Sleep In The Mountains)
Musukukhala
Okomkami Lokho
Izulu Lezandla
Nginjenje Njena
Qinisa Mkhiza
Uphumaphi Wena
Kabulala umuzi ka baba
Ohwahilahe (Leave Him Alone)
Babulala umuzi ka baba
Kubuhlungu Ukushiywa
Kukude Emajuba
Qhwayilahle / Leave Him Alone
Qhwayilahle - Leave Him Alone
Mangithand' 'Umkami
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