Medieval English Music
About Medieval English Music
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. Our understanding of this music is limited by a lack of written sources for much of what was an oral culture.
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Top Tracks
Oxford Estampie
Ductias
Singularis laudis digna
Miri It Is While Sumer Ilast
Ar Ne Kuth Ich Sorghe Non
Byrd Onë Brerë
Fuwëles In The Frith
Edi Beo Thu Hevene Quenë
Worldes Blis Ne Last No Throwë
Sumer Is Icumen In
Bagpipe Tuning
Man Mai Longë Lives Weenë
Jesu Cristes Mildë Moder
Þe Milde Lomb Isprad O Rode
Samson Dux Fortissime
Ex Eius Tumba: Catervatim/Sospitati Dedit Egros
Estampie 'Edi Beo Thu Hevene Quenë'
Perspice Christicola
Gabriel Fram Heven-king
Estampie 'Ar Ne Kuth Ich Sorghe Non'
Ite Missa Est
Flos Regalis
Nobilis Humilis
Doleo Super Te
Salve Virgo Virginum
Ave Rex Gentis Anglorum
O Maria Stella Maris
Alleluia: Hic Est Vere Martir
Mater Christi Nobilis
Miro Genere
Ductia 2
Dou Way Robin/Sancta Mater Gracie
Ductia
Tu Civium Primas/O Cuius Vita/Tu Celestium/Congaudens
Kyrie: Cuthberte Prece
Salve Mater Salvatoris
Cives Celestis Patriae
Mater Ora Filium
Letetur Celi Curia
Omnis Caro Peccaverat
Ovet Mundus Letabundus
In Rama Sonat Gemitus
Sancte Dei Preciose: Ut Tuo Propitiatus
Agnus Dei: Factus Homo Sumpta
Ductia No. 2 & 3
Ductia No. 1
Cormacus Scripsit
Generosa Iesse Plantula
O Ceteris Preamabilis
Paradisi Porta
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