The history of music in the Czech, Slovak and Polish regions, whose political and cultural fortunes in the early centuries were closely connected, we can somewhat more safely follow after the arrival of Christianity, which was brought to these countries around the year 830 by German missionaries. The knights of Rastislav attempted to resist this encroachment by summoning a Slavic mission led by Constantine and Methodius in 863. They introduced to this country the liturgy sung in Old Church Slavic
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Ave Maris Stella
Lux Vera Lucis Radium
Universi Populi Simul Iam Gaudete
Buoh Vsemohúcí (XIV vek)
Exultet Hodie (XIII vek)
Deus Omnipotens A Morte Resurgens
Fulget In Templo Legifer (XV vek)
Rorate Celi Desuper
Hac Nube Irrorante
Lux Vera Lucis
In Hac Die (Bohemijski)
Kyrie Fons Bonitatis
Pulchre Sion Filia
Svaty Vaclave
Kyrie Fons Bonitatis (In Festo Sancti Wenceslai)
Svaty Vaclave (12 c)
Salve Pater Optime (Sequentia To Saint Wenceslas, 15 c)
Svatý Václave
Buoh Vsemohúcí (14 c)
Letare Bohemia (Antiphon To Saint Procopius, 14 c)
Lux Vera Lucis Radium (Hymn To Saint Ludmilla, 14 c)
Exultet Hodie (Polish, 13 c)
Fulget In Templo Legifer (Hymn To Saint Wojciech, 12 c)
Pulchre Sion Filia (14 c)
Responsorius Eructavit (14 c)
Universi Populi Simul Iam Gaudete (12 c)
Letare Bohemia
Responsorius Eructavit
Salve Pater Optime
Czaldy Waldy
Surgit Christus Cum Tropheo
Otep Myry Miet Moj Mily
Dřievo Se Listem Odievá
Flos Florum & Que Est Iste
Ave Benedicta
Buoh Vsemohúcí
Exordium Quadruplate/Nate Dei/Concrepet Infanti/Verbum Caro
In Hac Precelsa Sollempnitate
Iube Domine: Primo Tempore
Iube Domine: Consolamini
Letare Pia Mater Aquensis Ecclesia
Laus Alme Sit Trinitati
Ecce Sigismundus
Salve Mundi Domina
Rubus Incombustibilis
Prima Declinatio
Otep Myrrhy
Anjelíku Rozkochaný
Dřěvo Se Listem Odiévá
Stola Jacob
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