Glagolitic singing has been preserved mainly through oral transmission in the course of ten centuries as specific Croatian liturgical singing using the Western Roman Church rite. Glagolitic singing is unique due to the position of Glagolitism in the organization of the Western Church as well as the cultural tradition of three languages (Old Church Slavonic, Latin, Croatian) and three scripts (Glagolitic, Croatian Cyrillic and Latin). Its chant repertory shows Byzantine
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Magdalene Javkanje
Sanctus
Gospin Plač
Puče Moj
Plač Jeremije Proroka
Litanije Lauretanske
Pokoj Vječni
I Toj Rekši Grediše Prid Tondalom
Zač noge tvoje sada u tanci ne igraju?
A Duša Reče
Evo Tudje Strah
Obrativ Se Tondal Za Angelom
A Na Jednoj Katidri
Čuvši Toj
I Otvorivši Oči
Svit Se Konča
I Onde Bi Duša Grebena
I pridoše na dolac strašan
Govorenje Judino Skalam Na Obišenje Hodeći
Potamnjele Oči Moje Od Plača Moga
Exaudi Christe
Sanctus (Codex Sancte Mariae Jadrensis, XII c)
Sanctus (Codex Sanctae Mariae Jadrensis, XII c)
Exaudi Christe, Lauda (Codex Evangeliarum Jadranese)
Annuntiamus Karitatem
Braćo Brata Sprovodimo
Viruju
Gospodine Pomiluj
O Janjče Božji
Čitanje Knjige Otkrivenja
Svet
I pridoše k drugomu dolcu
O Beate Nicolae
O, Prislavna Božja Mati
Pukni Sarce
Pistula
Križu Sveti, Križu Blagi
Annuntiamus Caritataem
Ego Sum Alfa Et Omega
Geneology According To Saint Luke
Haec Est Causa Vie
Ingredi Tenete Domino
O Crux Splendidior
Reading From The Book Of Isaiah
Tollite. Introibo. Intrate. Ingredimini
Announcement Of Church Holiday
Antiphonal Church Consecration
O Crux Splendidor, Antiphon
Litaniae Lauretanae (Litanije Lauretanske)
Lamentatio Ieremiae Prophetae (Plač Jeremije Proroka)
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