Max Eastley
About Max Eastley
Max Eastley began in the late sixties to investigate the relationship of chance to music. Using kinetic sound machines or the environmental forces of wind, streams and sea. As a consequence his career opened out into these various branches of creative and philosophical exploration. He has exhibited his sound installations internationally, and collaborated with a wide range of artists, musicians and filmmakers, including Brian Eno, Peter Greenaway, Evan Parker, Thomas Köner and Eddie Prévost.
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Hydrophone
Metallophone
The Centriphone
Elastic Aerophone / Centriphone
Wooden blocks and brass sheet
Aerophones 1
Monochord
Motors and metal rods 1
Hydrophone string installation
Aerophones 2
Aerophones 3
Serpentine Gallery installation
Stone circle 1
Motors and metal rods 2
Stone circle 2
Half speed metal installation
Two aeolian arcs
Wooden blocks
Motor and strings
Suffolk (b)
Aerophones 5
Aeolian flutes and aeolian harp
Aerophones 6
Aeolian flutes
Aerophones 4
Aerophones 7
Friction tubes
Wire on paper
Aeolian flutes 2
Installation No.3 pt.1
Installation Waterloo Gallery
Installation for the film "Clocks of the midnight hours"
Whirled Music
Elastic Aerophone-Centriphone
Strings - interior and exterior
Two 150 kilo blocks of melting ice with layers of stones embedded falling onto a metal plate for climate change project Cape Farewell
Centriphone
Swung Aeolian Flutes and Grass Blade
Aeolean arc and strings
_1
01 Hydrophone
02 Metallophone
2 aeolian harps pt.2
Installation No.3 pt.2
2 aeolian harps pt.1
03 The Centriphone
04 Elastic Aerophone-Centriphone
Installation No. 3, Pt. 1
Two 150 Kilo Blocks Of Melting Ice With Layers Of Stones Embedded Falling Onto A Metal Plate For Climate Change Project Farewell
Aeolian Arc And Strings
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