
Matthew Whiteside is the One To Watch in the Sunday Herald culture awards 2017. He is a 'cerebral composer and sound designer who’s creating works to challenge the 21st century consensus.' He writes music for concert, film and collaborative installations while often-using live electronics he seeks to create work with a meditative quality inviting the listener to project upon and experience on their own, rather than the composer’s, terms. Recent work has included a short opera Little Black Lies commissioned by Scottish Opera Connect
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Well, Well, Well
Quartet No. 6
Response One
Quartet No. 3
Dichroic Light: II.
The World in an Oyster An Oyster in the World
Three Pieces for Bass Clarinet and Electronics: No. 1
Dichroic Light: I.
Solo for Viola D'amore and Electronics
Three Pieces for Bass Clarinet and Electronics: No. 2
Piece for Violin and Bass Clarinet
Quartet for Violin Viola Cello and Double Bass
Ulation
Dichroic Light: III.
Quartet No. 6 (Remix)
Quartet No. 4 (Entangled): III. Spinning
Quartet No. 5: II. —
Quartet No. 5 (Remix)
Quartet No. 5: III. —
Unda Malacia
Piece One (Remix)
Three Pieces for Bass Clarinet and Electronics: No. 3
Quartet No. 4 (Entangled): I. Waves
Three Pieces for Bass Clarinet and Electronics: Piece Three
Quartet No. 5: I. —
Ulation (Remix)
Quartet No. 4 (Entangled): II. Spooky Action
Freely, Darkly, Deeply: I.
Air
freely, darkly, deeply: II.
...Everyone Is a Child of the Inbetween ...
Ground
Life
Response Two
Solo for Viola D'amore and Electronics (Remix)
The Second Dream
Freely, Darkly, Deeply: III.
Anna Meditates
Rama (Remix)
Dog Teeth
The Cup Drops
The Man Appears
Solo for Viola D’amore and Electronics
Imagined Notes
Rama
The First Dream
Curious Anna
This Too Shall Pass
Well Well Well
Anna Gassed
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