
Loren Chasse considers the sonus of natural and unnatural settings, situations, and found objects a spirited material that may be transported, mutated and reintegrated under new conditions to yield hybrid apparitions of spaces, things and moments. The microphone as an extended ear composes as it moves through a space, recognizing various threshholds and sites where ambient sounds blur and begin to detach from their sources. Loren's recorded work and performances often incorporate electronic noises--hums
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Green Laughter
Of 'the Carapace and Its Soul-Life'
drawing dirt
the air in the sand
Footpath 1
Footpath Apparition
the tree on the sky
Drawing Water
The Air Against The Ground
Arbor Pore
Of The Carapace and Its Soul-Life
Footpath 3
The Air Inside The Rain
Footpath 2
Footpath 7
Footpath 4
Footpath 6
Footpath 8
Footpath 5
Footpath 9
Paint It Black
Untitled
Footpath 11
Footpath 10
script lichen
Footpath 12
part i
part ii
Of "The Carapace And Its Soul-Life"
part iii
Spinning Cloth
part iv
Breet's Long Winter's Leap
Setting a Dry Thing Upright
furniture next to twilight
Whistling Across the Oars
Arrangement for Two Phases of the Moon
Footpath I
Ovoids for a Tumbling Pattern
Of The Carapace and Its Soul-L
Striking Cedar Tongues
A Shell Comb and a Cinder Ring
Footpath III
Footpath II
exfolia motors
The Broken House
The Rope to the Shore
fantasy of heat
Handfuls on an Edge of Foam
A Pause From Sifting Brings the Wind at Last
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