
One of the most acclaimed ambient artists of the 2000s and 2010s, Kyle Bobby Dunn composes sparse, serene drone pieces for guitar as well as orchestral instruments. His lengthy albums, sometimes lasting two or three hours each, are filled with meditative, hypnotic compositions that barely change, inhabiting a mood which is at once melancholy and numbly blissful. The majestic, reflective nature of Dunn's work is offset by his self-deprecating sense of humor and irreverent titles
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In Praise Of Tears
Diamond Cove (And Its Children Were Watching)
Canticle of Votier's Flats
Variations on a Theme by St-Dipshit
The Milksop
Sedentary II
An Excrement Suite for Voices Lost Again
Meadowfuck (Waltz of the Nobodies)
Statuit
Ending of All Odds
The Tributary (For Voices Lost)
Videodrones des Questions
Ouverture de Peter Hodge Transport
Lake Wapta Rise
An Evening with Dusty
Promenade
Empty Gazing
Boring Foothills of Foot Fetishville
Saison Triste on Lac of Baies
Canyon Meadows
La Chanson de Beurrage
Powers of None
Douglas Glen Theme
Mon Retard
Confessions of the Mildly Miserable
Rue de Guy-Mathieu
New Pures
La Failure et la Chance
The Hungover
Runge’s Last Stand
The Second Ponderosa
Where Circles Never Become Circles
The Troubles with Tres Belles
Small Show Of Hands
Triple Axel on Cremazie
Moitie et Moitie
Macleod (And the Victims of Deception)
The Same (Drunk in Quebec & in Love Club Remix)
Those Satisfactions are Permanent
The Calm Idiots of Yesterday
Parkland
Kotylak
An Extension
Butel
In Search of a Poetic Whole
Ontop of Timeless Hour
Innisfail (Rivers of my Fathers)
Happiness & Momentum
There Is No End to Your Beauty
Completia Terrace
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