
KATRA TURANA landed suddenly down on Tokyo underground rock scene as one of obscure Japanese avantgarde outfits in 1980. Their ensemble consisted of some acoustic instruments based on a violin and a piano. On stage they used various rubbishy stuffs as percussion and cooked avantgarde musical dinner with folk, chanson, jazz, and rock essence. And after all, their symbol was Atsushi HIROIKE, the vocalist and the performer disguised as a woman with powerful 'feminine' voices.
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Ensuikei Table
Yorokobashiki-Ichinichi
YataraChan's Annoying Noise
Fuka
Epigenesis
Yatara-chan's Annoying Noise
Utan-tan-ta
March
Kame No Fue, Kyoryu No Fue
Stentor-song
Vorticella-song
孵化
Toro-toro
Acid Rain
Mortera in the Moonlight
喜ばしき一日
Orange Sunshine
今日の散歩はきりがない
マーチ
The End-mrn
ホンタイジーテレフォン猟奇譚
Kyo No Sampo Wa_Kiri Ga Nai
Hontaiji Telephone_Ryokitan
円錐形テーブル
Yatara Chan's Annoying Noise
Hontaiji Telephone Ryokitan
Okies-Adutam
Kyo no Sampo wa Kiri ga nai
(title in Japanese characters)
Yatara-chan is a Paranoia ~ Hushaby, Lullaby
Kyô no Sampo wa ~ Kiri ga nai
The End-aft_The End-aft2_The End-evn
okies-abutam
円錐型テーブル
Kame no Fue, Kyôryû no Fue
Yarara
龜の笛、恐竜の笛
ツリガネムシの唄
Hontaiji Telephone ~ Ryôkitan
Kyo No Sampo Wa ~ Kiri Ga Nai
Yatara-Chan's in a Paranoia / Hushaby, Lullaby
Hontaiji Telephone ~ Ryokitan
Stentor-song (ラッパムシのうた)
ヤタラちゃんの騒音公害 (Yatara-chan's annoying noise)
あうのがつらいの (Toro-toro)
The End - Mrn
The End
Jangoro Gurugoro
kyo no sampo wa/kiri ga nai
Vorticella-song (ツリガネムシのうた)
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