Jules Émile Frédéric Massenet (May 12, 1842 – August 13, 1912) was a French composer from Montaud, France, who was best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas fell into almost total oblivion. Apart from Manon and Werther, his works were rarely performed.
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Méditation from Thaïs
Meditation: Méditation from Thaïs
Meditation from Thais
Thaïs, Act II: Méditation
Thaïs: Méditation
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)
meditation aus thais
Méditation de Thaïs
Meditations from Thais
Meditation from "Thais"
Heure vécue?
Meditation
Meditation (from Thais)
Massenet: Thaïs, Act 2: Méditation
Méditation from Thaïs (arr. for violin & harp)
Massenet: Thaïs: Méditation
Thais: Meditation
Thaïs: Méditation (Arr. for Violin and Orchestra)
Meditation (Thais)
Werther: "Pourquoi Me Réveiller, ô Souffle Du Printemps?"
Act III: Ah! tout est bien fini....O souverain!
Thaïs: Méditation (Arr. for Cello & Piano)
Elegie
Thais - Meditation
Thaïs / Acte Deux: Meditation
Thaïs / Act 2: Méditation
Meditation from Thaïs
I. Prelude et divertissement
Méditation
Massenet: Élégie (Arr. for Cello and Piano)
Thaïs / Acte Deux: Méditation religieuse
Thaïs, DO 24: "Méditation" - Arr. for Piano Solo by Jules Massenet
Thaïs: Meditation
Méditation de Thaïs (Arr. Cullen for Cello and Orchestra)
Thais
Elegie: O doux printemps d'autrefois
Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?"
Massenet: Meditation - Meditation from "Thais"
Les Erinnyes - Arr. by Mischa Maisky: Elégie
Thaïs, DO 24, Act II: "Méditation" - Arr. for Cello and Orchestra - Live
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III
Massenet: Don Quichotte: Second Interlude
Thaïs / Acte Deux: Méditation
Crepuscule
Thaïs: Méditation Religieuse
Ouvre tes yeux blues
Plus vite
Suite No. 1, Op. 13: III. Nocturne
Pourquoi Me Reveiller
III. Scene finale
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