
Joan Tower (born September 6, 1938 in New Rochelle, New York) is a contemporary American composer who spent much of her early life in South America. She became known for her first orchestral composition, Sequoia, a tone poem which structurally depicts a giant redwood from trunk to needles. Among her other prominent pieces are the Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, her two string quartets, and an assortment of other tone poems.
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Violin Concerto
Fanfare for the Uncommon Woman, no. 1
Made in America
Wild Purple
Petroushskates
Tambor
DNA
No Longer Very Clear: I. Holding a Daisy
Island Prelude
Big Sky
Fifth Fanfare for the Uncommon Woman
Snow Dreams
Still/Rapids: I. Still
Trio Cavany
Wings
In Memory
No Longer Very Clear: Holding a Daisy
Silver Ladders
No Longer Very Clear: Or like a…an Engine
Red Garnet Waltz
No Longer Very Clear: Vast Antique Cubes
No Longer Very Clear: Throbbing Still
Sequoia
Fascinating Ribbons
No Longer Very Clear: III. Vast Antique Cubes
Concerto for Orchestra: Part I
Rising
No Longer Very Clear: II. Or Like a...an Engine
Petroushkates
No Longer Very Clear: IV. Throbbing Still
Concerto for Orchestra: Part II
Hexachords
Small
I. Holding A Daisy
Night Fields
Clocks
II. Or Like a...an Engine
Black Topaz
String Quartet No. 5, "White Water"
Stroke
Strike Zones
Music for Cello and Orchestra
III. Vast Antique Cubes
Amazon
Très lent (In Memoriam Olivier Messiaen)
Breakfast Rhythms I
Chamber Dance
Vast Antique Cubes
Platinum Spirals
Noon Dance
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