
Hugh Le Caine, a composer who studied music, particularly piano, and dreamed of applying scientific techniques to the invention of musical instruments. As early as 1937 Le Caine had designed an electronic free reed organ, and in 1945 he began to develop electronic instruments at his home studio in his spare time. His Electronic Sackbut, built at this time, is now recognized to have been the first synthesizer. It featured continuous controls for timbre and a keyboard that was sensitive to both vertical and horizontal pressure
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Dripsody
Short Presentation Of The 1948 Sackbut: The Sackbut Blues
Dripsody (1955)
Dripsody, 1955
Short Presentation of the 1948 Sackbut: The Sackbut Blues, Followed by a Noisome Pestilence
07 - Dripsody
Caine: Dripsody
Nocturne (1962)
Ninety-Nine Generators
Mal Clark Plays the Sackbut
Nocturne
Invocation
The Sackbut Blues
A Noisome Pestilence
Short Presentation of the 1948 Sackbut : the Sackbut Blues / A Noisome Pestilence
Textures
Nocturne (1962) - 2021 Remastered
Bird Spectrogram
Ninety-Nine Generators (1956)
Accents
Attack and Volume
Music for Expo
Repeated Notes
Attacks
Sugar Blues (C. McCoy)
Rhapsody In Blue (G. Gershwin)
Volume Changes
Independent Voicing
Coded Music Apparatus: Patterns On The Pitch Graph (Automated Sackbut)
Dripsody: An Etude For Variable Speed Recorder (Mono Version)
Invocation (1957)
Dripsody - Hugh Le Caine
Safari: Eine Kleine Klangfarbenmelodie
Mobile: The Computer Laughed (Perpetual Motion)
This Thing Called Key
The Burning Deck (Without Words)
Xmas Music: Organ Control for Automatic Light Display
The Burning Deck (without words) (1958)
Arcane Presents Lulu
Bill Farrow Plays the Sackbut
Artificial Larynx, driven by Sackbut
Organ Experiment with Pitch Control
Paulution (Charnel Number Five)
Sackbut String Quartet (C.W. Gluck, Arr. Le Caine)
Artificial Larynx
Improved Timbre Controls
Textures (1959)
A Noisome Pestilence (1958)
Mouth Cavity Oscillator with MKI Touch Sensitive Organ
Study No.1 For Player Piano And Tape
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