
After concentrating in Musicology at Harvard, Hopkinson Smith went to Europe in 1973 to study with Emilio Pujol and also Eugen Dombois. In the mid 1970s, Hopkinson Smith was involved in the founding of the ensemble Hesperion XX. Since the mid 80s, Hopkinson Smith has focused principally on solo music for early plucked instruments. These include the vihuela, Renaissance lute, theorbo, Renaissance and baroque guitars and the baroque lute. With his recitals and series of over 20 solo recordings
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Frogg galliard
Melancholy galliard
Lachrimae pavin
A dream
La Mallassis - Sarabande
Three feminine portraits - Lady Hunsdon's allemande
Lady rich's galliard
A fantasie
Sir John Smith's almain
Suite No 1 BWV 1007: I.Prelude
Marizapalos
A galliard
Elizabeth and essex - Queen Elizabeth's gaillard
A fancy
Johnson's Jewell
Elizabeth and essex - The earl of essex's galliard
Dowland on the continent - The king of Denmark's galliard
Three feminine portraits - Lady Clifton's spirit
Fortune my foe
6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prelude
Mrs. White's Nothing
Three feminine portraits - La mia Barbara
Dowland on the continent - Mauritius pavin
Suite n°1 BWV 1007: I.Prelude
Gagliarda
Dowland on the continent - Farwell
Dowland's Lamentation: Semper Dowland / Semper Dole - NS
Saltarello 'Che glian strazza la socha'
Fantasia (39) dal quinto tono
Suite n°1 BWV 1007: II.Allemande
Fantasia (36) 'De mon triste'
Suite n°1 BWV 1007: III.Courante
Suite n°1 BWV 1007: V.Menuet I - Menuet II
Suite n°1 BWV 1007: IV.Sarabande
Suite n°2 BWV 1008: I.Prelude
Suite n°1 BWV 1007: VI.Gigue
Canarios
Suite n°2 BWV 1008: II.Allemande
Toccata Arpeggiata
Suite n°2 BWV 1008: III.Courante
Suite n°3 BWV 1009: I.Prelude
Suite n°3 BWV 1009: II.Allemande
Suite n°2 BWV 1008: V.Menuet I - Menuet II
Suite n°2 BWV 1008: IV.Sarabande
Suite n°2 BWV 1008: VI.Gigue
La Cascade
Suite n°3 BWV 1009: III.Courante
Suite n°3 BWV 1009: IV.Sarabande
'De mon triste desplaisir'
Il pescatore che va cantando
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