About Gabriel Fauré
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, often seen as a transitional figure between the Romantic period and Impressionism. In contrast with his harmonic and melodic style, which pushed the bounds for his time, Fauré’s rhythmic motives tended to be subtle and repetitive, with little to break the flow of the line, although he did utilize subtle large scale syncopations, similar to those found in the works of Johannes Brahms. Aaron Copland referred to him as the ‘French Brahms’.
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Top Tracks
1
Pavane, Op. 50
2
Sicilienne, Op. 78
3
Pavane
4
Après un rêve, op. 7, no. 1
5
Dolly Suite, Op. 56: I. Berceuse
6
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano)
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Pavane, Op. 50 (version for piano)
8
Cantique de Jean Racine
9
Sicilienne
10
Pie Jesu
11
Dolly, op. 56: 1. Berceuse
12
In Paradisum
13
Fauré: Pavane, Op. 50
14
Après un rêve, Op. 7, No. 1 (Arr. Piano)
15
Berceuse, Op. 16
16
Dolly, Op.56: 1. Berceuse
17
Elégie in C Minor, Op. 24 (Arr. Parkin)
18
Après un rêve, Op.7, No.1 (Arr. Cello & Piano)
19
Agnus Dei
20
Dolly, Op. 56 (version for piano 4 hands): I. Berceuse
21
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor
22
Trois Romances Sans Paroles, Op. 17: 3. Andante moderato
23
Dolly-Tendresse
24
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano)
25
Pavane-Andante molto moderato
26
Requiem in D Minor, Op. 48: In Paradisum
27
Fauré: Sicilienne, Op. 78
28
Cantique de Jean Racine, Op. 11
29
Pelleas et Melisande-Fileuse
30
Elégie in C Minor, Op. 24 (Arr. Parkin for Cello Ensemble)
31
Requiem: Sanctus
32
Sanctus
33
Trois romances sans paroles, Op.17: 3. Andante Moderato
34
Pelléas et Mélisande, Op. 80: 4. Sicilienne
35
Masques et bergamasques Suite, Op. 112: IV. Pastorale
36
Requiem, Op. 48: VIII. In Paradisum
37
Les berceaux, Op.23, No.1
38
Dolly-Mi-a-ou
39
Morceau de Concours
40
Pavane pour orchestre
41
Libera me
42
Sicilienne, Op. 78 (arr. for orchestra)
43
Pavane in F-sharp minor, Op. 50
44
Après un rêve
45
Fauré: Pavane in F-Sharp Minor, Op. 50
46
Requiem, Op. 48: In Paradisum
47
Pelléas et Mélisande, Op. 80, Suite: III. Sicilienne
48
3 Romances sans paroles, Op. 17: No. 3, Andante moderato in A-Flat Major
49
Requiem: Introit et Kyrie
50
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderato
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