Frans Helmerson

Pro et Contra - Concerto for Cello and Orchestra (1966): III. Allegro

Sonata for Solo Cello, Op. 8 (1915): I. Allegro maestoso ma appassionato

Concerto in B Minor for Cello and Orchestra, Op. 104, B. 191: I. Allegro

Concerto in B Minor for Cello and Orchestra, Op. 104, B. 191: II. Adagio ma non troppo

Concerto in B Minor for Cello and Orchestra, Op. 104, B. 191: III. Finale: Allegro moderato

Pro Et Contra: II. Largo

Pro Et Contra: III. Allegro

Pro Et Contra: I. Maestoso

Trio for Piano, Violin and Cello, Op.120: I. Allegro ma non troppo

Sonata for Solo Cello, Op. 8 (1915): III. Allegro molto vivace

Pro et Contra - Concerto for Cello and Orchestra (1966): II. Largo

Trio for Piano, Violin and Cello, Op.120: II. Andantino

Trio for Piano, Violin and Cello, Op.120: III. Allegro vivo

Pro et Contra - Concerto for Cello and Orchestra (1966): I. Maestoso

Sonata No. 3 for Solo Cello, Op. 25: I. Lebhaft, sehr markiert (mit festen Bogenstrichen)

Sonata in D Minor for Cello and Piano, L 135: I. Prologue: Lent - Sostenuto molto resoluto

Sonata for Solo Cello, Op. 8 (1915): II. Adagio (con grand' espressione)

Sonata No. 3 for Solo Cello, Op. 25: II. Mäßig schnell, gemächlich (durchweg sehr leise)

Sonata No. 3 for Solo Cello, Op. 25: III. Langsam

Suite No. 1 for Solo Cello, Op. 72: Canto Primo - Fuga - Lamento - Canto secondo - Serenata - Marcia - Canto terzo - Bordone - Moto perpetuo e Canto quarto

Sonata No. 3 for Solo Cello, Op. 25: IV. Lebhafte viertel (ohne jeden Ausdruck und stets pianissimo)

Sonata No. 3 for Solo Cello, Op. 25: V. Mäßig schnell (sehr scharf markierte Viertel)

Sonata in D Minor for Cello and Piano, L 135: III. Finale: Animé

Sonata in D Minor for Cello and Piano, L 135: II. Sérénade: Modérément animé

Sonata for Solo Cello (1955): I. Fantasia: Andante espressivo e con molto rubato

Cello Sonata, Op. 8: I. Allegro Maestoso Ma Appassionato

Cello Concertino, Op. 45, No. 10: III. Finale: Allegro Moderato Ma Ritmico

Sonata for Solo Cello (1955): II. Tema pastorale con variazioni

Cello Concertino, Op. 45, No. 10: I. Allegro Moderato

II. Siciliano: Andante Sostenuto

III. Allegro

Cello Sonata, Op. 25, No. 3 (Use): I. Lebhaft, Sehr Markiert (Mit Festen Bogenstrichen)

Sonata for Solo Cello (1955): III. Toccata: Largo e drammatico - Allegro vivace

I. Maestoso

Cello Concertino, Op. 45, No. 10: Ii. Siciliano: Andante Sostenuto

Cello Sonata, Op. 25, No. 3 (Use): IV. Lebhafte Viertel (Ohne Jeden Ausdruck Und Stets Pianissimo)

Cello Suite No. 1 in G major, BWV 1007: I. Prelude

Cello Sonata, Op. 25, No. 3 (Use): II. Massig Schnell, Gemachlich (Durchweg Sehr Leise)

Cello Sonata, Op. 8: III. Allegro Molto Vivace

Cello Sonata, Op. 8: II. Adagio (Con Grand' Espressione)

Elegia Sebastian Knightille (Elegy For Sebastian Knight), Op. 10: Elegy For Sebastian Knight, Op.10

Suite No. 2 in D minor, BWV 1008 - Courante

Suite No. 2 in D minor, BWV 1008 - Prélude

Cello Sonata, Op. 25, No. 3 (Use): III. Langsam

Cello Sonata, Op. 25, No. 3 (Use): V. Massig Schnell (Sehr Scharf Markierte Viertel)

Suite No. 2 in D minor, BWV 1008 - Sarabande

Suite No. 3 in C major, BWV 1009 - Gigue

Cello Suite No. 2 In D Minor, BWV 1008: I. Prelude

Cello Suite No. 2 In D Minor, BWV 1008: II. Allemande

Cello Concerto In B Minor, Op. 104, B. 191: I. Allegro