About Frans Helmerson
Sweden’s most prominent cellist, Frans Helmersson, was born in Falköping. Apart from his international solo performances and guest appearances he is also a conductor and professor at the Cologne Academy of Music. He has performed with many of the world’s greatest conductors, such as Neeme Järvi, Jevgenij Svetlanov, Esa-Pekka Salonen, Herbert Blomstedt and Mstislav Rostropovitj.
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Top Tracks
1
Pro et Contra - Concerto for Cello and Orchestra (1966): III. Allegro
2
Sonata for Solo Cello, Op. 8 (1915): I. Allegro maestoso ma appassionato
3
Concerto in B Minor for Cello and Orchestra, Op. 104, B. 191: I. Allegro
4
Concerto in B Minor for Cello and Orchestra, Op. 104, B. 191: II. Adagio ma non troppo
5
Concerto in B Minor for Cello and Orchestra, Op. 104, B. 191: III. Finale: Allegro moderato
6
Pro Et Contra: II. Largo
7
Pro Et Contra: III. Allegro
8
Pro Et Contra: I. Maestoso
9
Trio for Piano, Violin and Cello, Op.120: I. Allegro ma non troppo
10
Sonata for Solo Cello, Op. 8 (1915): III. Allegro molto vivace
11
Pro et Contra - Concerto for Cello and Orchestra (1966): II. Largo
12
Trio for Piano, Violin and Cello, Op.120: II. Andantino
13
Trio for Piano, Violin and Cello, Op.120: III. Allegro vivo
14
Pro et Contra - Concerto for Cello and Orchestra (1966): I. Maestoso
15
Sonata No. 3 for Solo Cello, Op. 25: I. Lebhaft, sehr markiert (mit festen Bogenstrichen)
16
Sonata in D Minor for Cello and Piano, L 135: I. Prologue: Lent - Sostenuto molto resoluto
17
Sonata for Solo Cello, Op. 8 (1915): II. Adagio (con grand' espressione)
18
Sonata No. 3 for Solo Cello, Op. 25: II. Mäßig schnell, gemächlich (durchweg sehr leise)
19
Sonata No. 3 for Solo Cello, Op. 25: III. Langsam
20
Suite No. 1 for Solo Cello, Op. 72: Canto Primo - Fuga - Lamento - Canto secondo - Serenata - Marcia - Canto terzo - Bordone - Moto perpetuo e Canto quarto
21
Sonata No. 3 for Solo Cello, Op. 25: IV. Lebhafte viertel (ohne jeden Ausdruck und stets pianissimo)
22
Sonata No. 3 for Solo Cello, Op. 25: V. Mäßig schnell (sehr scharf markierte Viertel)
23
Sonata in D Minor for Cello and Piano, L 135: III. Finale: Animé
24
Sonata in D Minor for Cello and Piano, L 135: II. Sérénade: Modérément animé
25
Sonata for Solo Cello (1955): I. Fantasia: Andante espressivo e con molto rubato
26
Cello Sonata, Op. 8: I. Allegro Maestoso Ma Appassionato
27
Cello Concertino, Op. 45, No. 10: III. Finale: Allegro Moderato Ma Ritmico
28
Sonata for Solo Cello (1955): II. Tema pastorale con variazioni
29
Cello Concertino, Op. 45, No. 10: I. Allegro Moderato
30
II. Siciliano: Andante Sostenuto
31
III. Allegro
32
Cello Sonata, Op. 25, No. 3 (Use): I. Lebhaft, Sehr Markiert (Mit Festen Bogenstrichen)
33
Sonata for Solo Cello (1955): III. Toccata: Largo e drammatico - Allegro vivace
34
I. Maestoso
35
Cello Concertino, Op. 45, No. 10: Ii. Siciliano: Andante Sostenuto
36
Cello Sonata, Op. 25, No. 3 (Use): IV. Lebhafte Viertel (Ohne Jeden Ausdruck Und Stets Pianissimo)
37
Cello Suite No. 1 in G major, BWV 1007: I. Prelude
38
Cello Sonata, Op. 25, No. 3 (Use): II. Massig Schnell, Gemachlich (Durchweg Sehr Leise)
39
Cello Sonata, Op. 8: III. Allegro Molto Vivace
40
Cello Sonata, Op. 8: II. Adagio (Con Grand' Espressione)
41
Elegia Sebastian Knightille (Elegy For Sebastian Knight), Op. 10: Elegy For Sebastian Knight, Op.10
42
Suite No. 2 in D minor, BWV 1008 - Courante
43
Suite No. 2 in D minor, BWV 1008 - Prélude
44
Cello Sonata, Op. 25, No. 3 (Use): III. Langsam
45
Cello Sonata, Op. 25, No. 3 (Use): V. Massig Schnell (Sehr Scharf Markierte Viertel)
46
Suite No. 2 in D minor, BWV 1008 - Sarabande
47
Suite No. 3 in C major, BWV 1009 - Gigue
48
Cello Suite No. 2 In D Minor, BWV 1008: I. Prelude
49
Cello Suite No. 2 In D Minor, BWV 1008: II. Allemande
50
Cello Concerto In B Minor, Op. 104, B. 191: I. Allegro
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