
After initial studies in orchestration, and analysis at the Regional Conservatory of Paris, Franck Bedrossian studied composition closely with Allain Gaussin. He continued his studies at the Paris Conservatory (seminars with Gerard Grisey and later Marco Stroppa), where upon graduation he received unanimously the first prize for Analysis, and the first prize in Composition. In 2002–2003 he was in the IRCAM ‘cursus’ for computer music and composition, taught by Philippe Leroux, Brian Ferneyhough, Tristan Murail, and Philippe Manoury.
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It
La solitude du coureur de fond
Propaganda
Tracés d'ombres
Bossa Nova
Manifesto
Transmission für Fagott und Live-Elektronik
Twist
It (2004-2007)
Twist for orchestra and electronics
Propaganda (2008)
La Solitude du coureur de fond (2000)
Manifesto (2008)
Twist (2016) For Orchestra And Electronics
Swing
Bossa Nova (2008)
The Spider as an artist
Tracés d'ombres (2005-2007)
Edges for piano and percussion
Charleston
Digital
Transmission
Charleston, pour 15 musiciens (2005-2007)
Epigram: I
Epigram (2010-2018): I, Dedicated to Donatienne Michel-Dansac
Epigram: II
Itself: I. —
L'Usage De La Parole, pour clarinette, violoncelle et piano (1999)
L'Usage De La Parole
Digital, pour contrebasse, percussion et electronique (2003)
La Solitude Du Courreur De Fond, pour saxophone alto (2000)
Tracés d’Ombres pour quatuor à cordes (2007): I. Fantomatique
Edges (2010) for piano and percussion
Edges
Transmission, pour basson et electronique (2002)
Epigram: III
Tracés d’Ombres pour quatuor à cordes (2007): II. Extrêmement lent et désolé
Epigram II
La Solitude Du Courreur De Fond
Tracés d’Ombres pour quatuor à cordes (2007): III. Violent, contrasté
Epigram I
Epigram (2010-2018): III, Dedicated to Annie Clair
Epigram III
Epigram (2010-2018): II, Dedicated to François and Jean-Philippe Billarant
Itself: II. —
Swirl
It (2004-07)
Twist for orchestra and electronics (2016)
Swing (2009) for eleven instruments
Le Lieu et la Formule
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