
Ellen Fullman (born 1957) is a composer known principally for music she has written for an instrument she invented, the long string instrument. Fullman studied sculpture at the Kansas City Art Institute. She has performed with the Deep Listening Band and Paul Panhuysen. Tuned in just intonation, the long string instrument is played by walking along the length of incredibly long strings and rubbing them with rosined hands. This produces longitudinal vibrations, and her music explores the nodes of vibration.
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Over and Under - Mixed
woven processional
Bass Song
Over and Under
Langzaam
Memory Of A Big Room (for matthew)
Swingen
Dripping Music
Space Between
Departure
Work for 4
Receding Parade - Train Whistle Alternate
Body Music
Fluctuations 1
Harmonic Cross Sweep - Overtone Series Of C Chord Progression
Harbors Part 1
Backward Bunny Hop
In the Sea
Oldies
Harbors Part 2
Slow Melody
Nocnoca Progression
Plucking
Aconcon Progression
Harbors Part 3
Slow Alternate - Bass Alternate
Staggered Stasis
Bass Melody - Overtone Series Of G Chord Progression - Swingset
Concentrated Merry-Go-Round
Nocnoca/Aconcon Flip
Never gets out of me
Work For Four Players And 90 Strings (excerpt)
Flowers
Through Glass Panes
Sunday Industrial - Post Futurist Reverie
Over and Under (Mixed)
Work For Two (excerpt)
Part 8
Blue Tunnel Fields
Sustained Surface - Distant View
Environmental Memory
Harmonic Cross Sweep-Overtone
Dream Branch - Intimate Glint
Change of Direction, a condensed excerpt
under and over
Surface Narrative in Four Parts
Radio Coda
Duration
Change Of Direction
Event Locations No 2
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