Biography by Drago Bonacich When Domingo Cura settled down in Buenos Aires at a young age, the artist started being captivated by Latin rhythms, jazz, and traditional local music. During his first years as a percussionist, the musician had the opportunity to work along with prominent local acts, such as Gato Barbieri and Mercedes Sosa. It was in the 1960s when Domingo Cura joined Ariel Ramírez, working together for several years, including 1964's Misa Criolla performance, one of the most acclaimed pieces of Argentinean folklore.
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La Trunca Norte
Percusion (Instrumental - Part 1)
Percussion (part. 1)
Percusion (Part 1)
Percusion, Pt. 1
Percussion - Part. 1
Percusion
Percusion, Part 1
Percusión (Part. 1) - Edit
Percusión
Aires del Sur - Tango Chill Outtake
Juana Azurduy
Percusión [Part 1]
Percusion [Part 1]
Ramírez: Misa Criolla - 1. Kyrie (vidala-babuala)
Mincura
La Vieja
Percusion - Instrumental - Part 1
Flor De La Leña
Percusion (Part I)
Anoranzas (Chacarera Doble)
Percusión (Part 1)
MINCURA (Candombe)
La Pesca del Indio
Viento Norte (Malambo Norteno)
Gloria
Ramírez: Misa Criolla - 2. Gloria (carnavalito-yaraví)
Criollita Santiagueña
Hombre De Piedra
Percussion, Pt. 1
Ramírez: Misa Criolla - 4. Sanctus (carnaval cochabambino)
Ramírez: Misa Criolla - 3. Credo (chacarera trunca)
El Pintao
La Vieja (Chacarera)
Zamba De La Cruz
LA TRUNCA NORTE (Chacarera)
De paso por Brasil
La Arunguita
Vidala De La Copla (Chaya)
La Pesca Del Indio (Carnavalito)
Percusion (Part1)
Malambo norteño
Golpear de parches
Huaico Hondo (Escondido)
Golpes De America (Improvisacion Sobre Ritmos Americanos)
Viento norte
Seis por ocho discutiendo el tres por cuatro
Percuion(part I)
Retumbo
Flor De Leña
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